"She is among the greatest Italian authors of recent years."-"Corriere della Sera" "Ferrante dissects the personal microcosm so well, and with awesome lucidity and precision shows us the meanderings of a woman's mind, the suffering that accompanies being abandoned, and the awful rumbling of time passing."-"El Mundo" "Elena Ferrante has given us a startlingly beautiful novel of exceptional and bold strength."-"Il Manifesto" "Severe and rigorously unsentimental, packed full of passages written with dizzying intensity at a rare and acute pitch. Ferrante is at her best when her writing holds tight to those nagging, niggling obsessions that make up our mental landscapes."-"La Stampa" A national bestseller for almost an entire year, "The Days of Abandonment" shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal. Elena Ferrante was born in Naples. Though she is one of Italy's most important and acclaimed contemporary authors, her identity is a mystery. Theories and speculation as to who Elena Ferrante really is continue to circulate; however, the author has successfully shunned public attention and has been able to keep her whereabouts and her true identity concealed. "The Days of Abandonment," her second novel, is currently being made into a film by director Roberto Faenza, due for release inNorth America in 2006.
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为什么我要借这么丧的书？？还在summer session1结束 朋友们都离开的时候借？？no offense 不过我要弃了！弃了！
评分追究loss之旅读物
评分比四部曲更普世，现代生活启示录。从庸常生活里打捞出的平常细节，因为思考，显得丰富且深刻。主人公努力写下的不是故事，而是疑惑，她不断发问，一次比一次深入，也因此抵达了问题的核心。
评分费兰特的作品里，都有一个主线“想要逃离那不勒斯，但终其一生都在被那不勒斯影响着”。
评分15年婚姻生活后被丈夫抛弃的女人的崩溃与重建。自我主体瓦解后对一儿一女和狗不管不顾，对每个人大喊大叫，不再顾及自我形象，甚至连语言和行为都退化了，生活是前所未有的混乱。后面如大病初愈，逐渐开始恢复自我。读到“我”去找Carrano那里我还在想，如果女主人公重建自我是靠另一个男人的话，我就把这本书扔进垃圾桶，所幸她是在恢复生活秩序和自我意识之后才对Carrano态度有所转变的。前半部分代入感很强，是并不舒服的感觉，中间叙述我觉得有些拖沓，以至于有点没耐心。
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