Pierre Clastres (1934-1979) was one of the most respected political anthropologists of our time. "Chronicle of the Guayaki Indians" is an account of his first fieldwork in the early 1960s--an encounter with a small, unique, and now vanished Paraguayan tribe. From "Birth" to "The End," Clastres follows the Guayakis in their everyday lives, determined to record every detail of their history, ritual, myths, and culture in order to answer the many questions prompted by his personal experiences. Now available for the first time in English in a beautiful translation by the novelist Paul Auster, "Chronicle of the Guayaki Indians" will alter radically not only the Western academic conventions in which other cultures are thought but also the discipline of political anthropology itself.
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幾乎不用術語但處處可見Levi-Strauss的影子。第五章末基調轉為悲涼,越逼近結尾越富詩意。Clastres本人的後見之明在徐徐展開的敘事中帶上瞭近乎先知的色彩,作為一個最不天真的旁觀者、誘導者,他的立場頗堪玩味。生之熱烈在一次次瘋狂的自我毀滅中燃燒殆盡,徒留宿命般的挽歌與漫川風雨中一個部落消逝的背影。
评分幾乎不用術語但處處可見Levi-Strauss的影子。第五章末基調轉為悲涼,越逼近結尾越富詩意。Clastres本人的後見之明在徐徐展開的敘事中帶上瞭近乎先知的色彩,作為一個最不天真的旁觀者、誘導者,他的立場頗堪玩味。生之熱烈在一次次瘋狂的自我毀滅中燃燒殆盡,徒留宿命般的挽歌與漫川風雨中一個部落消逝的背影。
评分幾乎不用術語但處處可見Levi-Strauss的影子。第五章末基調轉為悲涼,越逼近結尾越富詩意。Clastres本人的後見之明在徐徐展開的敘事中帶上瞭近乎先知的色彩,作為一個最不天真的旁觀者、誘導者,他的立場頗堪玩味。生之熱烈在一次次瘋狂的自我毀滅中燃燒殆盡,徒留宿命般的挽歌與漫川風雨中一個部落消逝的背影。
评分幾乎不用術語但處處可見Levi-Strauss的影子。第五章末基調轉為悲涼,越逼近結尾越富詩意。Clastres本人的後見之明在徐徐展開的敘事中帶上瞭近乎先知的色彩,作為一個最不天真的旁觀者、誘導者,他的立場頗堪玩味。生之熱烈在一次次瘋狂的自我毀滅中燃燒殆盡,徒留宿命般的挽歌與漫川風雨中一個部落消逝的背影。
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