Amazon.com Review
Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious.
What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older) --Karin Snelson --This text refers to the Hardcover edition.
From Publishers Weekly
British novelist Gaiman (American Gods; Stardust) and his long-time accomplice McKean (collaborators on a number of Gaiman's Sandman graphic novels as well as The Day I Swapped My Dad for 2 Goldfish) spin an electrifyingly creepy tale likely to haunt young readers for many moons. After Coraline and her parents move into an old house, Coraline asks her mother about a mysterious locked door. Her mother unlocks it to reveal that it leads nowhere: "When they turned the house into flats, they simply bricked it up," her mother explains. But something about the door attracts the girl, and when she later unlocks it herself, the bricks have disappeared. Through the door, she travels a dark corridor (which smells "like something very old and very slow") into a world that eerily mimics her own, but with sinister differences. "I'm your other mother," announces a woman who looks like Coraline's mother, except "her eyes were big black buttons." Coraline eventually makes it back to her real home only to find that her parents are missing--they're trapped in the shadowy other world, of course, and it's up to their scrappy daughter to save them. Gaiman twines his taut tale with a menacing tone and crisp prose fraught with memorable imagery ("Her other mother's hand scuttled off Coraline's shoulder like a frightened spider"), yet keeps the narrative just this side of terrifying. The imagery adds layers of psychological complexity (the button eyes of the characters in the other world vs. the heroine's increasing ability to distinguish between what is real and what is not; elements of Coraline's dreams that inform her waking decisions). McKean's scratchy, angular drawings, reminiscent of Victorian etchings, add an ominous edge that helps ensure this book will be a real bedtime-buster. Ages 8-up.
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这本小说给我的感觉,就像是掉进了一个色彩斑斓却又暗藏玄机的兔子洞。那种初读时的好奇心,混合着一丝丝莫名的不安,直到最后揭开所有谜团,才发现自己也被卷入了那个世界的奇特逻辑之中。作者的叙事节奏把握得极妙,她总能在看似平淡的日常描写中,悄无声息地埋下伏笔,让人不经意间就深陷其中。我尤其欣赏那种细腻入微的心理刻画,主人公在面对超乎想象的困境时,那种从恐惧到坚韧的转变,每一步都真实得让人心疼。书中的世界观构建得无比宏大,细节之处却又打磨得一丝不苟,无论是环境的描写,还是那些奇异角色的行为模式,都显示出作者深厚的功力。读完之后,我花了很长时间才真正“走出来”,那种久久不能散去的余韵,正是优秀作品的标志。它不只是一个简单的冒险故事,更像是一场关于勇气、选择与成长的深刻寓言,值得反复回味,每一次重读都会有新的感悟。
评分老实说,一开始我差点因为它的开篇而放弃。那种略显缓慢的铺陈,对于习惯了快节奏叙事的现代读者来说,可能有些考验耐心。但一旦故事的主线真正展开,那种如潮水般涌来的压迫感和无法抗拒的魔力,瞬间就将所有的不耐烦一扫而空。书中对“缺失”与“完美”的探讨,简直是神来之笔。它没有用说教的方式,而是通过一系列光怪陆离的事件,逼迫着角色(以及读者)去审视自己真正珍视的是什么。文笔老辣而精准,特别是对气氛的营造,简直可以用“令人窒息”来形容。那种介于梦境与噩梦之间的模糊地带,被作者描绘得淋漓尽致,你甚至能清晰地“闻到”那个地方散发出的甜腻腐败的气息。这本书的价值在于,它提供了一个逃离现实的出口,但这个出口的另一端,却要求你付出极高的精神代价。它不是那种读完就丢的消遣读物,它会像一根细小的刺,扎在你的记忆深处,时不时地提醒你,世界远比我们想象的要复杂得多。
评分让我从一个纯粹的文学角度来评价,这本书的叙事结构堪称教科书级别。它巧妙地设置了一个“阈限空间”,一个介于两个世界之间的模糊地带,让故事的逻辑得以自洽地运行。人物塑造方面,配角群像的立体感非常强,即使是那些转瞬即逝的配角,也带着强烈的个人印记,绝不流于脸谱化。我喜欢作者在对话中透露出的那种老派的智慧和冷幽默,使得紧张的氛围偶尔能得到片刻的喘息。最让我印象深刻的是关于“失去与拥有”的辩证关系处理,它没有简单地给出一个非黑即白的答案,而是展示了获取“完美”往往需要付出不可逆转的代价。这本书要求读者具备一定的解读能力,它不会把所有东西都摆在明面上,很多情节的暗示和象征意义,需要读者自己去拼凑和体会,这种主动参与感,极大地提升了阅读的乐趣和思考的深度。
评分这本书带给我的整体感受是震撼与后怕的交织。它不像很多流行的奇幻小说那样热烈奔放,它更像是一首低吟的挽歌,却在低吟中蕴含着强大的精神力量。我被它对于细节的执着所折服,那种对环境细节的极致描摹,让你仿佛能闻到潮湿的泥土味和老旧木头的气味。主人公的成长轨迹非常清晰,她不是被动地等待拯救,而是主动地、带着恐惧去迎战。这种内在驱动力,是故事能够持续推进的核心。此外,书中对“规则”的设定和打破,也充满了哲学意味。它提醒我们,有些表面的和谐与稳定,不过是建立在不为人知的牺牲之上。这本书的后劲很大,它不提供廉价的安慰,而是提供了一种直面世界复杂性的勇气。读完后,我感觉自己对生活中那些习以为常的事物,都多了一层审视的目光,这是它最宝贵的馈赠。
评分这本书的魅力在于其高超的“反差美学”。表面上,它有着童话故事的轮廓,那些色彩的运用、想象力的喷发,本应是天真烂漫的象征。然而,内核却是无比坚硬且黑暗的。作者娴熟地利用了这种张力,让每一次看似美好的事物都潜藏着巨大的风险。我特别佩服作者对于“替代品”的描绘,那种精致到令人发指的模仿,恰恰是它最恐怖的地方——它告诉你,最可怕的敌人,往往是那些最像你所爱之物的东西。阅读体验是极其沉浸式的,我感觉自己跟随主人公一起在迷宫中摸索,每一次推开一扇门,都伴随着心跳的加速。它成功地捕捉到了一种普遍的、属于成长阶段的焦虑感:如何分辨真假?如何坚持自我?这些宏大的主题,都被巧妙地包裹在这个看似简单的冒险故事里,阅读的层次感非常丰富,绝非一眼就能看穿的。
评分和电影情节安排不一样,却一样的好看。Neil真是个讲故事高手,不温不火的描述就像在你眼前展开一幅动画!喜欢Neil Gaiman的文字与朗读。
评分可以读得很快,不过故事真的没什么意思。
评分和电影情节安排不一样,却一样的好看。Neil真是个讲故事高手,不温不火的描述就像在你眼前展开一幅动画!喜欢Neil Gaiman的文字与朗读。
评分这个插图很吓人好不好!过程挺惊悚的童话故事~~一开始我还傻笑傻笑,然后就给我这么多黑暗的画面。。。。大人们平时真的很需要和小孩子多多沟通,小孩子很容易觉得自己被忽视。突然想起Enternal Sunshine of the Spotless Mind里的台词:"Sometimes I think people don't understand how lonely it is to be a kid,like you don't matter.
评分这个插图很吓人好不好!过程挺惊悚的童话故事~~一开始我还傻笑傻笑,然后就给我这么多黑暗的画面。。。。大人们平时真的很需要和小孩子多多沟通,小孩子很容易觉得自己被忽视。突然想起Enternal Sunshine of the Spotless Mind里的台词:"Sometimes I think people don't understand how lonely it is to be a kid,like you don't matter.
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