WKW pdf epub mobi txt 電子書 下載2025
John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
- 王傢衛
- 電影
- 傳記
- 香港
- 香港電影
- 電影人傳記
- 畫集
- Film
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
具體描述
讀後感
书很有质感（i.e., 重！特别重！），其实文字不是很多，断断续续看完，加起来花的时间估计不多。这在电影类书籍里算良心的，没有煽情性的戏剧人生描写，是根据时间顺序一部部跟墨镜聊他的电影，怎么来的灵感，怎么发展，啼笑皆非的过程，对演员的诚实评价等等，值得拥有。 我对...
評分 評分 評分1•介于小开和恶少之间 作为一个电影导演，王家卫介于洋场小开和洋场恶少之间。说他小开，是指他的见多识广，混迹于西方电影艺术之殿堂，喜欢在电影画面上挥金如土，追求精致和完美。说他介于小开和恶少之间，是指他徘徊于华丽的欲望和高深莫测的冷漠，不知自己究竟应该放纵...
評分1. 谭家明《最后胜利》某种意义上是《旺角卡门》的续集。两部电影都来自于王家卫和谭家明构思的一套黑帮三部曲，第一部讲两个男主角的童年故事，第二部是青年，第三部是中年。结果先拍了第三部。等到王家卫独立做导演的时候，选择了第二部的故事拍了《旺角卡门》。 2. 传说中的...
用戶評價
終於讀完瞭~當年飯桌上LOOK推薦，九蒼說買來看看，我腆著臉說給我帶本，然後17年SIFF他給我背迴來瞭，在傢裏躺瞭兩年半，總算讀完~非常硬核的創作談，WKW聊創作一點沒有拍電影的百轉韆迴...墨鏡王是文藝青年的産品經理，文藝青年並不清楚他們的需求在哪裏，墨鏡王卻天生能捕捉到那種“虛渺”的訴求。颱詞、人物、電影化場景都是錶象，情節更是可以在剪輯颱上靠著旁白來倒著編；從《阿飛正傳》起就是拿電影當“詩與遠方”去拍，將傳承、被拒絕/被接受、遺忘這些虛緲的主題（也是所謂“文藝”的主題）以虛緲的方式展開、揭示；就算是政治的內核，也可以被鎖在一個同性的故事中...有的人拍攝情節故事，有的人打磨人物性格，有的人卻著意營造讓人懷念、稍縱即逝的氛圍...
评分説來説去WKW的魅力在哪裏，風格化的影像、迂迴巧妙的音樂、響當當的演員陣營、臭味相投的老拍檔等等固然，但最最迷惑人（擾人）的，還是他戲裏呈現的無法跨越的一道道鴻溝，期望與落空，現實與想像，傲氣與恐懼，記著與忘卻，壓抑與釋放、麵對與逃避。人與人，也是人與自己。「我以爲我們不會像他們那樣」、「我一直以爲我是贏的那個」，就算再看一百一韆遍，我們仍會這麽以爲，以爲自己比較高尚、比較堅定、比較不屑一顧。其實你越以爲自己和別人不同，就越與人都一樣，那句"I want to be different, just like everybody"不衹是調侃。
评分花樣年華算是為我打開電影大門的第一部電影
评分229
评分印象較深的幾個點：墨鏡對明星魅力的鍾愛，對拉美文學的熱情，對《春光乍泄》政治含義的解釋，和他講述的梁朝偉這二十多年的成長曆程
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