圖書標籤: 王傢衛 電影 傳記 香港 香港電影 電影人傳記 畫集 Film
发表于2025-02-14
WKW pdf epub mobi txt 電子書 下載 2025
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
印象較深的幾個點:墨鏡對明星魅力的鍾愛,對拉美文學的熱情,對《春光乍泄》政治含義的解釋,和他講述的梁朝偉這二十多年的成長曆程
評分印象較深的幾個點:墨鏡對明星魅力的鍾愛,對拉美文學的熱情,對《春光乍泄》政治含義的解釋,和他講述的梁朝偉這二十多年的成長曆程
評分更期待墨鏡王拍的電視劇瞭。
評分229
評分花樣年華算是為我打開電影大門的第一部電影
1•介于小开和恶少之间 作为一个电影导演,王家卫介于洋场小开和洋场恶少之间。说他小开,是指他的见多识广,混迹于西方电影艺术之殿堂,喜欢在电影画面上挥金如土,追求精致和完美。说他介于小开和恶少之间,是指他徘徊于华丽的欲望和高深莫测的冷漠,不知自己究竟应该放纵...
評分 評分 評分在对话五里终于谈到摄像头的角度。他说,“我不喜欢像杨德昌拍摄时从上往下的那种俯视的角度,也不喜欢在拍摄时仰视他们,像小津那样。我喜欢在看电影时,人们与演员们处在同一水平线上,彼此处在平等的位置,能够与他们共情。” 谈到为何不拍摄家庭时,他说,“我对大家庭或一...
WKW pdf epub mobi txt 電子書 下載 2025