具体描述
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
作者简介
John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
目录信息
读后感
书很有质感（i.e., 重！特别重！），其实文字不是很多，断断续续看完，加起来花的时间估计不多。这在电影类书籍里算良心的，没有煽情性的戏剧人生描写，是根据时间顺序一部部跟墨镜聊他的电影，怎么来的灵感，怎么发展，啼笑皆非的过程，对演员的诚实评价等等，值得拥有。 我对...
评分1. 谭家明《最后胜利》某种意义上是《旺角卡门》的续集。两部电影都来自于王家卫和谭家明构思的一套黑帮三部曲，第一部讲两个男主角的童年故事，第二部是青年，第三部是中年。结果先拍了第三部。等到王家卫独立做导演的时候，选择了第二部的故事拍了《旺角卡门》。 2. 传说中的...
评分1•介于小开和恶少之间 作为一个电影导演，王家卫介于洋场小开和洋场恶少之间。说他小开，是指他的见多识广，混迹于西方电影艺术之殿堂，喜欢在电影画面上挥金如土，追求精致和完美。说他介于小开和恶少之间，是指他徘徊于华丽的欲望和高深莫测的冷漠，不知自己究竟应该放纵...
评分在对话五里终于谈到摄像头的角度。他说，“我不喜欢像杨德昌拍摄时从上往下的那种俯视的角度，也不喜欢在拍摄时仰视他们，像小津那样。我喜欢在看电影时，人们与演员们处在同一水平线上，彼此处在平等的位置，能够与他们共情。” 谈到为何不拍摄家庭时，他说，“我对大家庭或一...
评分侯孝贤与王家卫是我最熟悉的两位华人导演，这两人的每部作品我都看得非常熟稔，个人访谈录多年来也始终关注，我比较习惯于从导演的访谈中挖掘出其创作方法，他的生活与作品的关系。2015年侯孝贤出了一本访谈录，《煮海时光》，企图全面深入的再度全盘回顾一下个人的创作生涯。...
用户评价
出个中文版 我照样买
评分王用了一个我不认识的英文单词。
评分花样年华算是为我打开电影大门的第一部电影
评分有料且裝幀美好，收藏佳品，看得停不下來。the true self of an artist can never be copied，所以能窺探到墨鏡的創作心態，已經很滿足了。加上一些有趣的邊角八卦，very enjoyable book。還有作者雖然還是有點太西方思維以致有時get不到王家衛電影裡某些東方元素，但整體而言非常懂行且有品味。btw 跟natives的英文寫作一對比我覺得我的是災難啊啊啊
评分终于读完了~当年饭桌上LOOK推荐，九苍说买来看看，我腆着脸说给我带本，然后17年SIFF他给我背回来了，在家里躺了两年半，总算读完~非常硬核的创作谈，WKW聊创作一点没有拍电影的百转千回...墨镜王是文艺青年的产品经理，文艺青年并不清楚他们的需求在哪里，墨镜王却天生能捕捉到那种“虚渺”的诉求。台词、人物、电影化场景都是表象，情节更是可以在剪辑台上靠着旁白来倒着编；从《阿飞正传》起就是拿电影当“诗与远方”去拍，将传承、被拒绝/被接受、遗忘这些虚缈的主题（也是所谓“文艺”的主题）以虚缈的方式展开、揭示；就算是政治的内核，也可以被锁在一个同性的故事中...有的人拍摄情节故事，有的人打磨人物性格，有的人却着意营造让人怀念、稍纵即逝的氛围...
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