WKW

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John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.

出版者:Rizzoli
作者:Wong Kar Wai
出品人:
页数:304
译者:
出版时间:2016-4-19
价格:USD 65.00
装帧:Hardcover
isbn号码:9780847846177
丛书系列:
图书标签:
  • 王家卫 
  • 电影 
  • 传记 
  • 香港 
  • 香港电影 
  • 电影人传记 
  • 画集 
  • Film 
  •  
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The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.

The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.

The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.

具体描述

读后感

评分

书很有质感(i.e., 重!特别重!),其实文字不是很多,断断续续看完,加起来花的时间估计不多。这在电影类书籍里算良心的,没有煽情性的戏剧人生描写,是根据时间顺序一部部跟墨镜聊他的电影,怎么来的灵感,怎么发展,啼笑皆非的过程,对演员的诚实评价等等,值得拥有。 我对...  

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1•介于小开和恶少之间 作为一个电影导演,王家卫介于洋场小开和洋场恶少之间。说他小开,是指他的见多识广,混迹于西方电影艺术之殿堂,喜欢在电影画面上挥金如土,追求精致和完美。说他介于小开和恶少之间,是指他徘徊于华丽的欲望和高深莫测的冷漠,不知自己究竟应该放纵...

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1. 谭家明《最后胜利》某种意义上是《旺角卡门》的续集。两部电影都来自于王家卫和谭家明构思的一套黑帮三部曲,第一部讲两个男主角的童年故事,第二部是青年,第三部是中年。结果先拍了第三部。等到王家卫独立做导演的时候,选择了第二部的故事拍了《旺角卡门》。 2. 传说中的...  

评分

书很有质感(i.e., 重!特别重!),其实文字不是很多,断断续续看完,加起来花的时间估计不多。这在电影类书籍里算良心的,没有煽情性的戏剧人生描写,是根据时间顺序一部部跟墨镜聊他的电影,怎么来的灵感,怎么发展,啼笑皆非的过程,对演员的诚实评价等等,值得拥有。 我对...  

评分

书很有质感(i.e., 重!特别重!),其实文字不是很多,断断续续看完,加起来花的时间估计不多。这在电影类书籍里算良心的,没有煽情性的戏剧人生描写,是根据时间顺序一部部跟墨镜聊他的电影,怎么来的灵感,怎么发展,啼笑皆非的过程,对演员的诚实评价等等,值得拥有。 我对...  

用户评价

评分

他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式,等同於先榨乾自己,再榨乾劇組,最後再榨乾一次自己

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任你如何模仿,这世上就那么一个王家卫,浪了一生的王家卫。

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229

评分

他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式,等同於先榨乾自己,再榨乾劇組,最後再榨乾一次自己

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最让人感动的是,年轻时的种种经历似有意无意埋下的种子,在日后长成了一片森林。

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