The Art of Cloning

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出版者:Verso
作者:Pang Laikwan
出品人:
頁數:320
译者:
出版時間:2017-1-10
價格:USD 34.95
裝幀:Hardcover
isbn號碼:9781784785192
叢書系列:
圖書標籤:
  • 文化研究
  • 海外中國研究
  • 文革
  • 彭麗君
  • 曆史
  • 香港
  • 社會學
  • 視覺文化
  • 剋隆技術
  • 生物工程
  • 基因復製
  • 科學探索
  • 生命科學
  • 科技發展
  • 分子生物學
  • 遺傳學
  • 未來科技
  • 生物科技
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具體描述

Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity

In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.

In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.

Reviews

“A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang’s work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution.”

– Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age

“Pang Laikwan’s meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed.”

– Michael Dutton, coauthor of Beijing Time

“A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China’s Cultural Revolutionary decade.”

– Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History

著者簡介

Pang Laikwan is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.

圖書目錄

讀後感

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用戶評價

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從主體的型塑、社會性的模仿和宣傳三個觀念探討CR期間的文化生産。個人活動並不屈服於集體主義的召喚,而個人的能動性能夠時刻挑戰官方既定的認知思路與範式。各類繁多材料的整閤讓整本書讀起來非常過癮,但是可能也就造成瞭許多地方點到為止。部分內容缺少瞭深入的探討。這段過去的曆史有太多太多的迷幻色彩,對我們後人來說,不斷地觸碰底綫也是一種“附魅”和嘗試“驅魅”的過程。

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閱於2019年1月 中文版

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其實我讀的是中文版,但是中文版已經被。。。。

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赤腳醫生、革命芭蕾舞這兩章還不錯,有點想看作者進一步分析導言裏提到的作傢的閱讀體驗。但核心的理論與論證讀起來沒什麼意思,結論感覺也像沒說齣什麼所以然。人畢竟不是沒有情感和創造力的機器,如果願意,動物之森不也可以化身衝塔利器麼?

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第一次讀文化研究的書,意外過癮?

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