From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other. For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Konigsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it. Neil MacGregor has been Director of the British Museum since August 2002. He was Director of the National Gallery in London from 1987 to 2002. His previous books include A History of the World in 100 Objects and Shakespeare's Restless World, now between them translated into more than a dozen languages.
尼尔•麦格雷戈
大英博物馆前馆长,伦敦古文物学会成员,英国著名艺术史学者。
1975年至1981年,在英国雷丁大学教授艺术与建筑史。
1981年至1987年,主编英语世界历史最悠久的美术及装饰艺术期刊《伯林顿杂志》。1987年至2002年,主持英国国家美术馆。
2002年至2015年,任大英博物馆馆长。
2010年,获英国女王颁赠功绩勋章。
主要作品有《大英博物馆世界简史》《大师之作的诞生》《莎士比亚的动荡世界》等。
对于这本书的内容来说,豆瓣满分根本毫无意义。 如若使用“图文并茂”这种词来形容这本书,感觉是对作者(包括译者)的侮辱。 由于明天要把书借给美女,今天匆匆忙忙翻了一下之前没细看的内容。 趴在床上,3个小时看到了拿战这章。因为我本身对欧洲中世纪到三十年战争的历史看...
评分分权体制的Compromise:The decentralized stucture of the Holy Roman Empire,with its patchwork of interlocking but independent states, meant that an overarching iconoclasm never took root。这种分权的方式值得德国人拥有宗教自由,可以信封基督教或者新教或者加尔文...
评分25年前,一座分隔东西柏林的高墙倒下了。在阅读许多纪念柏林墙倒下的文章时,我想起了曾经看过的德国电影系列《故土》(Heimat)。《故土》被称为德国“普通人的历史”,以莱茵地区农村一户人家及其后代为主角,共有三个系列,第一个系列跨越了一战结束到二战战败之间的历史,第...
评分分权体制的Compromise:The decentralized stucture of the Holy Roman Empire,with its patchwork of interlocking but independent states, meant that an overarching iconoclasm never took root。这种分权的方式值得德国人拥有宗教自由,可以信封基督教或者新教或者加尔文...
评分对于这本书的内容来说,豆瓣满分根本毫无意义。 如若使用“图文并茂”这种词来形容这本书,感觉是对作者(包括译者)的侮辱。 由于明天要把书借给美女,今天匆匆忙忙翻了一下之前没细看的内容。 趴在床上,3个小时看到了拿战这章。因为我本身对欧洲中世纪到三十年战争的历史看...
很基础的德国读物啊,对国界、国民身份的定义,思潮的产生和发展都有清晰的梳理。
评分作者以一种BBC的语言娓娓道来,搭配恰到好处的图片,有在读BBC剧本的错觉。在德国的几年去过一些地方,知晓了一些艺术家和一些历史,很多东西觉得理所应当却不知其所以然。本书的作者把我那些印象碎片像珍珠一样一颗一颗穿起来,我第一次可以宏观地看待我的所见所闻。而他对于包豪斯学派以及其他很多艺术家的喜好等等,跟我是极为相近的,所以读的时候感觉很亲切。
评分通过标志性的物品来回顾和评论德国历史和文化。尽管涉及到的观点都是泛泛之谈,但作为一本介绍类书籍,角度独特。
评分写给对德国不太了解的人看的
评分这本书的英文版很通俗,结构设计像博物馆里的专题讲解,作者从每个物件上挖掘历史上的故事,于是自己感觉发现了好多影片里熟悉的镜头。
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