"Twelfth Night" is one of Shakespeare's funniest plays and also one of his most romantic. A young noblewoman, Viola, shipwrecked in a foreign land and separated from her twin brother, dresses as a man in order to enter the service of Orsino, duke of Illyria. Complications ensue - deceptions, infatuations, misdirected overtures, malevolent pranks - as everyone is drawn into the hilariously painful confusion.
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“……returning us again to the mad behavior of nearly everyone in Twelfth Night.” 除去Feste(也同樣參與瞭對馬福裏奧的戲弄),幾乎人人都處於一種過分(excess)的瘋狂與妄念之中。本劇與《哈姆雷特》創作於同一時期,幾乎以喜劇形式傳達悲劇性,抑或這本就是馬福裏奧的悲劇;而實際上幾乎劇中每個人都似乎本有成為馬福裏奧的可能。 反復閱讀幾次後,隱約明白瞭為什麼哈羅德•布魯姆對薇奧拉評價較低,或許是與光彩奪目的羅瑟琳相比,善意有餘,機智不足,並不能主動將“善意”轉化為“善行”,也無法主動地推動事態朝美好願望發展,而隻能被動地接受命運巧閤的安排。
评分耶魯這版annotated更重語詞上的疏理注解,附的Harold Bloom的散文可觀。We can call Orsino a Keats gone bad,or even a little mad,returning us again to the mad behavior of nearly everyone in Twelfth Night. 除瞭Feste半瘋,其他人都是歐陽瘋;本劇是對自己以前劇作的拼貼,更是自我反諷。And thus the whirligig of time brings in his revenges. Sir Toby is not a Falstaffian personage,no matter what critics have said.反本窮生
评分A parody of itself. Hey, ho, the wind and the rain...
评分隨處可見莎翁的標簽:易裝,錯愛,性彆倒置,耍酒瘋,惡作劇,一群人的狂歡和一個人的孤單。這劇不同之處亮點在於莎翁第一次直白描寫瞭antonio對Sebastian的同性愛
评分“……returning us again to the mad behavior of nearly everyone in Twelfth Night.” 除去Feste(也同樣參與瞭對馬福裏奧的戲弄),幾乎人人都處於一種過分(excess)的瘋狂與妄念之中。本劇與《哈姆雷特》創作於同一時期,幾乎以喜劇形式傳達悲劇性,抑或這本就是馬福裏奧的悲劇;而實際上幾乎劇中每個人都似乎本有成為馬福裏奧的可能。 反復閱讀幾次後,隱約明白瞭為什麼哈羅德•布魯姆對薇奧拉評價較低,或許是與光彩奪目的羅瑟琳相比,善意有餘,機智不足,並不能主動將“善意”轉化為“善行”,也無法主動地推動事態朝美好願望發展,而隻能被動地接受命運巧閤的安排。
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