图书标签: 海外中国研究  海外汉学  明清  蒲松龄  蔡九迪  聊斋  文学研究  文学   

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看《聊斋志异》阅读史，觉得是很有意思的一个历程。十七世纪的读者拼命想要证明其实聊斋的“怪”不是真的怪，而是你们自己没遇见过。十八世纪的读者从象征自传的角度说这本书是蒲松龄自我抒发的产物，仕途不济，写本书来表达心绪。十九世纪的读者认证这是一本白话小说，同时也提高了自己的评论家地位。

把聊斋放在晚明文化中解读。集中于Obsession, Gender和Dream

读过此书，再看聊斋就再也不一样了

结论：画壁

把聊斋放在晚明文化中解读。集中于Obsession, Gender和Dream

Intro: Pu Songling’s self-adopted sobriquet The Historian of the Strange betrays the close affinity between historical narratives and fiction. Liaozhai’s inclusion of hearsay/semi-facticity reminds us of the convention. Liaozhai straddles the border betw...  

Intro: Pu Songling’s self-adopted sobriquet The Historian of the Strange betrays the close affinity between historical narratives and fiction. Liaozhai’s inclusion of hearsay/semi-facticity reminds us of the convention. Liaozhai straddles the border betw...  

The second part of Historian of the Strange explores three issues involving the crossing of boundaries. The first theme “obsession” deals with the subject/object boundary. The second theme “gender dislocation” treats the male/female binary. The third th...

Intro: Pu Songling’s self-adopted sobriquet The Historian of the Strange betrays the close affinity between historical narratives and fiction. Liaozhai’s inclusion of hearsay/semi-facticity reminds us of the convention. Liaozhai straddles the border betw...  

The second part of Historian of the Strange explores three issues involving the crossing of boundaries. The first theme “obsession” deals with the subject/object boundary. The second theme “gender dislocation” treats the male/female binary. The third th...