Isaiah Berlin (1909-1997) was one of the leading intellectual historians of the twentieth century and the founding president of Wolfson College, University of Oxford. His many books include The Hedgehog and the Fox, The Crooked Timber of Humanity, The Roots of Romanticism, and Against the Current (all Princeton). Henry Hardy, a Fellow of Wolfson College, Oxford, is one of Isaiah Berlin's literary trustees. He has edited several other volumes by Berlin, and is currently preparing Berlin's letters and remaining unpublished writings for publication.
Isaiah Berlin's response to the Soviet Union was central to his identity, both personally and intellectually. Born a Russian subject in Riga in 1909, he spoke Russian as a child and witnessed both revolutions in St. Petersburg in 1917, emigrating to the West in 1921. He first returned to Russia in 1945, when he met the writers Anna Akhmatova and Boris Pasternak. These formative encounters helped shape his later work, especially his defense of political freedom and his studies of pre-Soviet Russian thinkers. Never before collected, Berlin's writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalin's manipulative 'artificial dialectic'; portraits of Osip Mandel'shtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more. This collection includes essays that have never been published before, as well as works that are not widely known because they were published under pseudonyms to protect relatives living in Russia. The contents of this book were discussed at a seminar in Oxford in 2003, held under the auspices of the Brookings Institution. Berlin's editor, Henry Hardy, had prepared the essays for collective publication and here recounts their history. In his foreword, Brookings president Strobe Talbott, an expert on the Soviet Union, relates the essays to Berlin's other work. The Soviet Mind will assume its rightful place among Berlin's works and will prove invaluable for policymakers, students, and those interested in Russian politics, past, present and future.
【作业向读书报告渣文】 谦逊和自负 “伯林式的谦逊标题”是书中经常出现的字眼。这位儒雅的英国自由主义思想家不想让自己的文章标题宏大得张牙舞爪,而文章内容也是娓娓道来,平和而又睿智。但这些文章辑成一书后,却冠上了一个足够宏大且自负的标题:“苏联的心灵——共...
评分在红色的俄罗斯时代,无论是列宁还是斯大林,亦或是后来的红色继任者,对于苏联本身的文化的影响首先在于政治和意识形态上专制,究其根源在以赛亚·伯林的严重认为是简单化的马克思主义在意识形态上的一种出于政治面目的目的并和个人领导者性格有关的一种解释。书中的观...
评分这本书,我读了三天,读完后醍醐灌顶,耳清目明,思路开阔。由于这周时间太紧,我只能简单谈几点。 首先,《苏联的心灵——共产主义时代的俄国文化》是以赛亚•柏林关于苏联的一本文集,最早的文章在1945年二战结束时,最晚的是写在1990年苏联解体,内容时有互现。书很短不...
评分从陀思妥耶夫斯基、托尔斯泰、索尔仁尼琴等文学家,再到肖斯塔科维奇、普罗科菲耶夫等音乐家,再到门捷列夫、巴甫洛夫等科学家,俄罗斯这个民族总是在扮演着“主流”之外的一种强大而又特别的声音,正如开篇的《斯大林统治下的俄罗斯艺术》所说:苏联的文艺界非常独特,由于各...
评分无论祖先还是上帝,人始终有对终极的不懈追求与敬畏,如果一定要给它们一个概括那就叫真理。对神与真理的追求其实非常相似。在万物有灵的多神时代人与神界的沟通需要中间人,祭司或者“巫”。在那个时代,巫掌握的力量是巨大而神圣的,人间的权力需要得到神的确认,这样,人...
苏联的人名又臭又长,已晕!
评分三星半。文章之间内容略重复,多数谈不上犀利,但文笔不错。Soviet Russian Culture这篇写得有些鸡血,从学术角度不太喜欢。写Akhmatova和Pasternak的两篇很好,非常浪漫忧伤,太动人。
评分喜欢俄罗斯人在极权体制面前的硬骨头,我们自己人是没有的。
评分重新讀一遍。。。
评分选编十篇关于苏联文化界知识界及其管制的文章,大致基于1945年、1956年两次访苏经验而成,因此文章间略有重复,附有相关文化界人士小传。透过异域之眼看自己曾浸泡其中的话语、文化和教育,中国读者很难不心有戚戚焉。比如他谈到“教师是人类灵魂的工程师”,这句再熟悉不过的话语,变成“engineers of human souls”已经有点怪怪,寥寥几句分析读完更觉不寒而栗。
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