Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.
Margaret Eleanor Atwood CC OOnt FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, inventor, and environmental activist. She is a winner of the Arthur C. Clarke Award, Prince of Asturias Award for Literature and the Peace Prize of the German Book Trade. She has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001, she was inducted into Canada's Walk of Fame.[2] She is also a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.[3] Among innumerable contributions to Canadian literature, she was a founding trustee of the Griffin Poetry Prize.[4]
Atwood is also the inventor and developer of the LongPen and associated technologies that facilitate the remote robotic writing of documents.[5] She is the Co-Founder and Director of Syngrafii Inc. (formerly Unotchit Inc.), a company that she started in 2004 to develop, produce and distribute the LongPen technology.[6] She holds various patents related to the LongPen technologies.[7]
While she is better-known as a novelist, she has published around fifteen books of poetry.[8][9] Many of her poems are inspired by myths and fairy tales which interested her from a very early age.[10] Atwood has published short stories in Tamarack Review, Alphabet, Harper's, CBC Anthology, Ms., Saturday Night, and many other magazines. She has also published four collections of stories and three collections of unclassifiable short prose works.
作者:Adam Mars-Jones 译自英国《观察家报》The Observer 玛格丽特•阿特伍德的小说新作由三条线索组成。艾丽丝•蔡斯的回忆录追溯了她的成长过程:从繁荣之始——钮扣厂业主之女、与富豪的无爱婚姻,及至孤独、耽于冥想的老年。 其次是《盲刺客》的节录:艾丽丝的...
评分那是一个慵懒而疲惫的周末上午,我躺在床上把它翻到最后一页。一个字一个字念出来,直到自己哽咽不能。我承认自己有借题发挥的嫌疑,眼泪不过凭借任何借口跑出来而已。但那种心情——一直到最后,你把密码留给风,还是等不到你所希冀的人来眷顾。在这一点上,不是你不想,而是...
评分阅读盲刺客不仅仅需要充分的智力,旺盛的体力(长达624页), 还要有一颗能体察同情女性的心。不幸的是,尽管我勉强达到了前两个要求却在最后一环上有所缺失。这样半个月折腾下来,我完成的只能是一次失败的阅读。 谈到女性作家大多会套用细腻温柔之类的形容词,却似乎很...
评分那是一个慵懒而疲惫的周末上午,我躺在床上把它翻到最后一页。一个字一个字念出来,直到自己哽咽不能。我承认自己有借题发挥的嫌疑,眼泪不过凭借任何借口跑出来而已。但那种心情——一直到最后,你把密码留给风,还是等不到你所希冀的人来眷顾。在这一点上,不是你不想,而是...
评分那是一个慵懒而疲惫的周末上午,我躺在床上把它翻到最后一页。一个字一个字念出来,直到自己哽咽不能。我承认自己有借题发挥的嫌疑,眼泪不过凭借任何借口跑出来而已。但那种心情——一直到最后,你把密码留给风,还是等不到你所希冀的人来眷顾。在这一点上,不是你不想,而是...
读了七本阿特伍德了,目前还是最喜欢这本
评分伴着二月巴塞罗那难得的狂风和巨浪,在去往小村庄里朋友的country house的路途上坐在David的后排车座上看完了。其实是个没什么特别的俗套故事,环环相套的结构却也有趣,且margaret的文字也美。
评分伴着二月巴塞罗那难得的狂风和巨浪,在去往小村庄里朋友的country house的路途上坐在David的后排车座上看完了。其实是个没什么特别的俗套故事,环环相套的结构却也有趣,且margaret的文字也美。
评分finished at this very moment! 首先,书的情节十分引人入胜,好几次我都忍不住要继续看下去(我是计划好每天看几章的),再说主题,其实Atwood的野心似乎很大,书中想说的主题很多:性别,新旧阶级,政治,战争,种族,衰老,城市与乡村等等都浓缩在Iris和Laura家族历史以及她们自己的故事。 Laura和Iris更像是一个人物的两面,一个material, more traditional, tend to conform to the rules; 另一位spiritual, more radical, always in the process of breaking conventions. 期待拍成电视剧的那一天
评分Prose很棒,也有很多妙语
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