Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.
Margaret Eleanor Atwood CC OOnt FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, inventor, and environmental activist. She is a winner of the Arthur C. Clarke Award, Prince of Asturias Award for Literature and the Peace Prize of the German Book Trade. She has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001, she was inducted into Canada's Walk of Fame.[2] She is also a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.[3] Among innumerable contributions to Canadian literature, she was a founding trustee of the Griffin Poetry Prize.[4]
Atwood is also the inventor and developer of the LongPen and associated technologies that facilitate the remote robotic writing of documents.[5] She is the Co-Founder and Director of Syngrafii Inc. (formerly Unotchit Inc.), a company that she started in 2004 to develop, produce and distribute the LongPen technology.[6] She holds various patents related to the LongPen technologies.[7]
While she is better-known as a novelist, she has published around fifteen books of poetry.[8][9] Many of her poems are inspired by myths and fairy tales which interested her from a very early age.[10] Atwood has published short stories in Tamarack Review, Alphabet, Harper's, CBC Anthology, Ms., Saturday Night, and many other magazines. She has also published four collections of stories and three collections of unclassifiable short prose works.
如果没记错,艾丽丝和劳拉都是金发碧眼,Blonde,这是个刺眼的字母,胸也是B,亚历克斯的故事里的姑娘也是个金发的B。我也记得blonde在英文里的言外之义,“你的头发金黄金黄的,太惹眼了。金发女郎就像是小白鼠;小白鼠只能关在笼子里。它们在自然界的生命不长。它们太引人注...
评分第三章 阿维隆庄园 P73 阿黛莉娅的任务是为宴会配菜订菜,然后还要提防被人瞧见自己在大吃大喝。按当时的习俗,妇女在公众场合只能斯文地小口慢吃,而大嚼大咽的动作是十分粗俗的。我猜想,宴会过后她一定叫人把一盘子食物送到她的房间去。她十指并用,大吃一顿。 P77 “疼...
评分那是一个慵懒而疲惫的周末上午,我躺在床上把它翻到最后一页。一个字一个字念出来,直到自己哽咽不能。我承认自己有借题发挥的嫌疑,眼泪不过凭借任何借口跑出来而已。但那种心情——一直到最后,你把密码留给风,还是等不到你所希冀的人来眷顾。在这一点上,不是你不想,而是...
评分这是个隐晦的世界。文字提供解读方式——让世界如花瓣层层打开,或者用犀利的刀锋割开。 玛•阿特伍徳提供的方式,是两者的合一。《盲刺客》既温软又坚硬。她轻巧地将不同意象组合在一起,突兀又贴切。箭就在弦上,张力无处不在。 故事套故事的结构,是一种高...
评分英文原版
评分finished at this very moment! 首先,书的情节十分引人入胜,好几次我都忍不住要继续看下去(我是计划好每天看几章的),再说主题,其实Atwood的野心似乎很大,书中想说的主题很多:性别,新旧阶级,政治,战争,种族,衰老,城市与乡村等等都浓缩在Iris和Laura家族历史以及她们自己的故事。 Laura和Iris更像是一个人物的两面,一个material, more traditional, tend to conform to the rules; 另一位spiritual, more radical, always in the process of breaking conventions. 期待拍成电视剧的那一天
评分封面应该用他们三个人的照片的
评分伴着二月巴塞罗那难得的狂风和巨浪,在去往小村庄里朋友的country house的路途上坐在David的后排车座上看完了。其实是个没什么特别的俗套故事,环环相套的结构却也有趣,且margaret的文字也美。
评分How to understand the dead is by paper written and metaphors and hints one's knowledge covered. To remember is to show respect. When you telling the story, the dead must be your collaborator with her deplorable destiny and clandestine thinking supported like Laura. Uncontrollable Laura is the rebellious icon for freedom and independent spirit.
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