Notes from Underground pdf epub mobi txt 电子书 下载 2025
Fyodor Mikailovich Dostoevsky’s life was as dark and dramatic as the great novels he wrote. He was born in Moscow in 1821. A short first novel, Poor Folk (1846) brought him instant success, but his writing career was cut short by his arrest for alleged subversion against Tsar Nicholas I in 1849. In prison he was given the “silent treatment” for eight months (guards even wore velvet soled boots) before he was led in front a firing squad. Dressed in a death shroud, he faced an open grave and awaited execution, when suddenly, an order arrived commuting his sentence. He then spent four years at hard labor in a Siberian prison, where he began to suffer from epilepsy, and he returned to St. Petersburg only a full ten years after he had left in chains.
His prison experiences coupled with his conversion to a profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72), and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature.
- 陀思妥耶夫斯基
- 文学
- 外文
- 俄罗斯
- English
- 1001
(Book Jacket Status: Jacketed)
Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
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自我中心主义者又怎样，高尔基怎么觉得是堕落呢？ 我觉得自我中心主义者不够彻底才会变成地下室的人。 因为不够彻底，所以矛盾，而矛盾才是悲剧的根源，极致才是人生； 不够自我中心，所以有时会服从社会的庸俗价值观，而没有独立的自我评价。 也许不是不够，根本就不是自我中...
评分不只是地下人——读陀思妥耶夫斯基《地下室手记》有感 引子：存在主义文学的开山之作 在现代西方哲学史上，萨特是一个不得不提的名字，作为将存在主义哲学发扬光大的这位法国思想家、革命家，在奠定其哲学基础的过程中深受一位俄国作家的影响，那就是在西方 “拥有最广泛读...
评分自我中心主义者又怎样，高尔基怎么觉得是堕落呢？ 我觉得自我中心主义者不够彻底才会变成地下室的人。 因为不够彻底，所以矛盾，而矛盾才是悲剧的根源，极致才是人生； 不够自我中心，所以有时会服从社会的庸俗价值观，而没有独立的自我评价。 也许不是不够，根本就不是自我中...
评分本文缘起这篇评论：http://www.douban.com/review/1201657/，是对这篇评论的回应。我的观点都在文中，这里要说明我为什么选中评论《地下室手记》作为我的回应。第一，我不喜欢吵架，尤其是不喜欢和受迫害妄想狂吵架，因此我没有回帖，而是找到一本能代表我观点的小说作为我回应...
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失了智。。
评分失了智。。
评分越看越被歇斯底里的疯魔带走，颤抖着感受到与自身的亲近感。Such a self-loathing egoist, timid and arrogant to wicked. want his wanting. A male hysteria, an anti-hero.
评分It's just.......nothing that i haven't already known but also too russian for me to understand?
评分越看越被歇斯底里的疯魔带走，颤抖着感受到与自身的亲近感。Such a self-loathing egoist, timid and arrogant to wicked. want his wanting. A male hysteria, an anti-hero.
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