杰克·凯鲁亚克(Jack Kerouac, 1922-1969),1922年3月12日,凯鲁亚克出生于马萨诸塞州洛厄尔,父母为法裔美国人,他是家中幼子。他曾在当地天主教和公立学校就读,以橄榄球奖学金入纽约哥伦比亚大学,结识爱伦·金斯堡、威廉·巴勒斯和尼尔·卡萨迪等“垮掉的一代”。
凯鲁亚克大学二年级退学从事文学创作,并辗转于美国海军和商用航运公司等处。1950年,第一部小说《乡镇和城市》出版。1957年的《在路上》问世后,他成为“垮掉的一代”的代言人,跻身二十世纪最有争议的著名作家行列。他还著有《达摩流浪者》、《地下人》、《孤独的旅人》和《孤独天使》等作品。
1969年10月21日,凯鲁亚克在佛罗里达圣彼得堡去世,享年47岁。
The legendary 1951 scroll draft of "On the Road," published word for word as Kerouac originally composed it Though Jack Kerouac began thinking about the novel that was to become "On the Road" as early as 1947, it was not until three weeks in April 1951, in an apartment on West Twentieth Street in Manhattan, that he wrote the first full draft that was satisfactory to him. Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120 foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. It represents the first full expression of Kerouacas revolutionary aesthetic, "the" identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy. It was also part of a wider vital experimentation in the American literary, musical, and visual arts in the post-World War II period. It was not until more than six years later, and several new drafts, that Viking published, in 1957, the novel known to us today. On the occasion of the fiftieth anniversary of "On the Road," Viking will publish the 1951 scroll in a standard book format. The differences between the two versions are principally ones of significant detail and altered emphasis. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. It also uses the real names of Kerouacas friends instead of the fictional names he later invented for them. The transcription of the scroll was done by Howard Cunnell who, along with Joshua Kupetz, George Mouratidis, and Penny Vlagopoulos, provides a critical introduction that explains the fascinating compositional and publication history of "On the Road" and anchors the text in its historical, political, and social context.
我常自问,如果不能在已有译本的基础上有所创新或突破,那推出新版本的意义与价值何在?带着这样的疑惑,在公版名著的推陈出新愈发频繁和激烈的当下,我一次次地在出版激流中后退一步,看千军万马在我身前捉对厮杀,自己却岿然不动。 直到《在路上》给了我向前迈出一步的勇气。...
评分上周终于读了《在路上》。说是终于,因为这本书名气大,听过很多年,以至于总有奇怪的错觉——好像读过似的。 说说这本书的优点,为什么值得一读。首先,书名听起来文艺,但实际风格粗犷,旅途故事不空洞。其次是内容坦诚,面对偷窃和性,没有遮遮掩掩,是表里合一的洒脱和无所...
评分魏东(www.igovm.com 之生活绘话) (一) 我以为…… 我是在这里开始理解这部小说的—— 是某个事物、某个人或者某个灵魂,在生命的沙漠上追逐我们,并且必然在我们到达天堂之时赶上我们。现在回想起来,也许,那只不过是死亡:死亡必定在我们到达天堂之时赶上我们...
评分在冬日破晓的黄雾下, 一群人鱼贯地流过伦敦桥,人数是那么多, 我没想到,死亡竟毁坏了这么多人。--艾略特《荒原》 这个春节,因为众所周知的原因,被关在家里已经大半个月了。通常这是一年里本应最热闹的时候,本应是全体中国人集体“在路上”的日子,无论是回家团聚的,还是...
评分看了记者对王永年的访谈,忍不住说两句。 译者说不喜欢这本书,并认为它没有多大文学价值,行文结构比较糟糕,还说他与凯鲁亚克,我们都有代沟,他把这本书定性为一本年轻人的书。以凯鲁亚克的出生年(1922)来看,如果他活着的话,比译者还要长几岁,那么这年轻与年老的区别就...
圣经一般
评分如果不知道想干什么,就上路上去寻找;如果觉得有些累了,就回家;如果又不知道想要什么,再上路。去哪儿不重要,干什么也不重要,只是让自己看起来可以做些什么了。
评分圣经一般
评分如果不知道想干什么,就上路上去寻找;如果觉得有些累了,就回家;如果又不知道想要什么,再上路。去哪儿不重要,干什么也不重要,只是让自己看起来可以做些什么了。
评分A must see!
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