Using ceremonials such as imperial weddings and funerals as models, T. Fujitani illustrates what visual symbols and rituals reveal about monarchy, nationalism, city planning, discipline, gender, memory, and modernity. Focusing on the Meiji Period (1868-1912), Fujitani brings recent methods of cultural history to a study of modern Japanese nationalism for the first time.
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Taking Foucault's conception of "surveillance society", Fujitani explores the modern reinvention of the Emperor as a visually dominating overseer over the people, which facilitates the creation of a modern disciplined citizenry. Dual capital system, gendered politics, national time and the challenging localizations...
评分对于作者把福柯带入历史分析,觉得非常有意思.
评分用理论非常重要,但用的这么肤浅,还不如不用。
评分Taking Foucault's conception of "surveillance society", Fujitani explores the modern reinvention of the Emperor as a visually dominating overseer over the people, which facilitates the creation of a modern disciplined citizenry. Dual capital system, gendered politics, national time and the challenging localizations...
评分如何让国民相信nationalism?如何塑造领袖至上形象?这本书晦涩地提供了大量史料。(从comparative history角度可以平行对比德国的state image building)
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