In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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All hail Macbeth!//The burden of guilt can easily ruin a successful person. Macbeth is one of the most typical tragic hero.
评分一个人是如何毁灭他自己的。
评分All hail Macbeth!//The burden of guilt can easily ruin a successful person. Macbeth is one of the most typical tragic hero.
评分不是最有深度的莎剧,但角色刻画和节奏韵律实在是天才手笔
评分可能是因为电影改编都已经看了三四个版本,舞台剧也看了两三次,再看书时颇有些味同嚼蜡。最喜欢波兰斯基的版本,觉得超过黑泽明。
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