In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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头一次仔细欣赏莎剧剧本，震撼
评分三年了，witch 1的台词依旧背得出。
评分啊 最喜欢看莎翁写raving lunatic having a soliloquy
评分啊 最喜欢看莎翁写raving lunatic having a soliloquy
评分三年了，witch 1的台词依旧背得出。
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