Kazuo Ishiguro OBE, FRSA, FRSL (Japanese: 石黒一雄; born 8 November 1954) is a British novelist. He was born in Nagasaki, Japan; his family moved to England in 1960 when he was five. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative-writing course in 1980.
Ishiguro is one of the most celebrated contemporary fiction authors in the English-speaking world, having received four Man Booker Prize nominations, and winning the 1989 award for his novel The Remains of the Day. In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 greatest British writers since 1945".
An Artist of the Floating World (1986) is a novel by Kazuo Ishiguro. It is set in post-World War II Japan and is narrated by Masuji Ono, an ageing painter, who looks back on his life and how he has lived it. He notices how his once great reputation has faltered since the war and how attitudes towards him and his paintings have changed. The chief conflict deals with Ono's need to accept responsibility for his past actions. The novel attempts to ask and answer the question: what is man's role in a rapidly changing environment?
我理解却并不喜欢。同样是描述战争中的志向抱负,更喜欢宫崎骏的《起风了》里主人公的内心矛盾,在《起风了》中,主人公明晰地知道自己的志向也许会被投入到战争当中被政客所利用,在梦想的实现过程中,他同样背负了很多压力(病妻)和内心的折磨。而这些痛苦的源头毫不迟疑的...
评分英籍日裔作家石黑一雄获得今年诺贝尔文学奖,也许出乎许多人的意料。不过,在欧洲,石黑一雄早已建立起了属于自己的声誉,和拉什迪、奈保尔一起被誉为“英国文坛移民三雄”。诺奖评委会赞扬他“以其巨大的情感力量,发掘了隐藏在我们与世界联系的幻觉之下的深渊”。读完他的小...
评分若论及对“嫁女”题材的挖掘与讲述,小津安二郎大约可以拔得头筹,其《秋刀鱼之味》、《晚春》等电影作品以舒缓的节奏、无技巧的技巧,使极简的影像中开出完美的花,美学意蕴得以充分绽放。小津对“嫁女”故事的情有独钟,是因为其关联着婚姻、老境、孤独与死亡,他抹去外部...
评分 评分若论及对“嫁女”题材的挖掘与讲述,小津安二郎大约可以拔得头筹,其《秋刀鱼之味》、《晚春》等电影作品以舒缓的节奏、无技巧的技巧,使极简的影像中开出完美的花,美学意蕴得以充分绽放。小津对“嫁女”故事的情有独钟,是因为其关联着婚姻、老境、孤独与死亡,他抹去外部...
4.5. Unreliable narrator以及间接揭示关键信息的技巧在这一本已经相当成熟。从这本的New Japan到长日留痕里的dignity,石黑一雄对那种基于男性特质、虚伪、遮遮掩掩而又自我感觉良好的国族与精神身份建构的揭露与打击都是毁灭性的。
评分很man很好
评分不知石黑一雄在获得诺贝尔奖后,是不是也会经历如书中主人公功成名就后的喜悦和自豪,是不是也会对自己rise above mediocre所付出的努力知足。
评分日裔英国作家石黑一雄于今日北京时间19:00获得诺贝尔文学奖,我标个记先,以后再来找这本书看。
评分技巧上应该是没有话说的,老人回忆是当代作家很常见的载体,但是作者叙述方式可谓一波三折。对于二战的回忆性文章,这种比较同情战败国的角度也算是大胆了,德国作者断不敢做出这样的姿态;然而另一方面讲,在剧情中或小说的记述手法本身,这种姿态也被艺术家这一身份和观察角度中和了。感到剧情最后结尾的略显仓促,对回忆和身份的讨论在和女儿的谈话过后戛然而止了,而是碎碎念地重复一些鸡汤样的句子。对成长的叙述有些单调了,艺术家自己,最有天赋的弟子,年少时的师兄,甚至小孙子都有同质化的倾向,然而如此轮回般的记述从老人的视角读起来相当自然甚至动人。
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