These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance -- notably Botticelli, Leonardo, Raphael and Michelangelo -- and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism.
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围绕文艺复兴和相关问题的论文集。涵盖范围很广。既有对专题的论述也有对史学史批评。贡布里希的功力真心了得。Norm and Form那篇对沃尔夫林以及整个风格分析的批判可以说是命中要害但是不过分aggressive
评分围绕文艺复兴和相关问题的论文集。涵盖范围很广。既有对专题的论述也有对史学史批评。贡布里希的功力真心了得。Norm and Form那篇对沃尔夫林以及整个风格分析的批判可以说是命中要害但是不过分aggressive
评分围绕文艺复兴和相关问题的论文集。涵盖范围很广。既有对专题的论述也有对史学史批评。贡布里希的功力真心了得。Norm and Form那篇对沃尔夫林以及整个风格分析的批判可以说是命中要害但是不过分aggressive
评分围绕文艺复兴和相关问题的论文集。涵盖范围很广。既有对专题的论述也有对史学史批评。贡布里希的功力真心了得。Norm and Form那篇对沃尔夫林以及整个风格分析的批判可以说是命中要害但是不过分aggressive
评分围绕文艺复兴和相关问题的论文集。涵盖范围很广。既有对专题的论述也有对史学史批评。贡布里希的功力真心了得。Norm and Form那篇对沃尔夫林以及整个风格分析的批判可以说是命中要害但是不过分aggressive
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