具體描述
What does it mean to be "Chinese?" This controversial question has sparked off a never-ending process of image-making in Chinese and Chinese-speaking communities throughout the twentieth century. This introduction to Chinese national cinema, written by a leading scholar, covers three "Chinas": mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Chinese National Cinema also emphasizes industry research and market analysis. The author concludes that despite the rigid censorship systems and the pressures on film makers, Chinese national cinema has never succeeded in projecting a single unified picture, but rather portrays many Chinas.
著者簡介
圖書目錄
讀後感
評分
評分
評分
評分
用戶評價
兩岸三地在國-族認同上的鍾擺式變動有意思。這個框架下，港颱電影相對順利地嵌入瞭中國電影史。最後一章還引齣另一種理論可能，從跨國到跨地性的框架去理解現在的中國電影。（熬著看完introduction，忽然就不吃力瞭。以及批判地用理論不容易做到呀。sign...
评分中國電影一本比較詳細的通史！
评分張老師的書，和Chris Berry的那本China on Screen對比著讀，還湊閤吧
评分讀瞭大部分……
评分不錯的國族電影史
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