This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.
About the Author
Brian Bergen-Aurand is assistant professor of English at Nanyang Technological University.
Mary Mazzilli is a fellow at Nanyang Technological University.
Wai Siam Hee is assistant professor of Chinese at Nanyang Technological University.
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