Music as Intangible Cultural Heritage pdf epub mobi txt 电子书 下载 2026
- 非遗
- ethnomusicology
- 音乐
- 非物质文化遗产
- 文化遗产
- 音乐学
- 民族音乐学
- 文化研究
- 遗产保护
- 音乐与文化
- 传统音乐
- 世界音乐
具体描述
Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea, Taiwan and Japan - incorporate a foundational overview of preservation policy and practice of musical intangible cultural heritage at the state level. These chapters are complemented by a set of chapters that explore how the practice of policy has impacted on specific musics, from Confucian ritual through Kam big song to the Okinawan sanshin. Each chapter is based on rich ethnographic data collected through extended fieldwork. The team of international contributors give both insider and outsider perspectives as they both account for, and critique, policy, ideology and practice in East Asian music as intangible cultural heritage.
作者简介
目录信息
List of Music
Notes on Contributors
1 Introduction: East Asian Music as Intangible Cultural Heritage
2 Intangible Cultural Heritage in China Today
3 Ee, mang gay dor ga ey (Hey, Why Don’t You Sing)? Imagining the Future for Kam Big Song
4 Strumming the ‘Lost Mouth Chord’: Discourses of Preserving the Nuosu-Yi Mouth Harp
5 From Transformation to Preservation: Music and Multi-Ethnic Unity on Television in China
6 Authenticity and Authority
7 A Tradition of Adaptation: Preserving the Ritual for Paebaengi
8 Lessons from the Past
9 Dichotomies between ‘Classical’ and ‘Folk’ in the Intangible Cultural Properties of Japan
10 Promoting and Preserving the Chichibu Night Festival
11 Whose Heritage? Cultural Properties Legislation and Regional Identity in Okinawa
References
Index
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Hearing the title "Music as Intangible Cultural Heritage" sparks a profound sense of wonder and anticipation within me. It evokes a world where sound is not just heard, but felt, not just experienced, but deeply understood as a living manifestation of collective memory and identity. I envision the book delving into the intricate ways music acts as a carrier of culture, weaving together threads of history, spirituality, and social practice. My mind immediately goes to those mesmerizing performances, perhaps in ancient temples or bustling village squares, where music transcends mere performance and becomes an act of cultural affirmation. I am keen to understand how music, as an intangible asset, is perceived, transmitted, and maintained within different communities. Does it explore the pedagogical methods used in oral traditions, where musical knowledge is passed from master to apprentice through listening and imitation? I anticipate that the book will likely offer a rich array of case studies, showcasing the diverse roles music plays across various cultures – from its use in storytelling and mnemonic devices to its function in healing rituals and rites of passage. I am particularly intrigued by the notion of "heritage" applied to music. What makes a piece of music, or a musical tradition, qualify as heritage? How does it acquire its significance and value over time? Furthermore, in an era of rapid technological advancement and shifting cultural landscapes, I am eager to learn about the book's perspective on the future of musical heritage. Does it discuss the efforts to revitalize dormant traditions, or explore innovative ways of engaging younger audiences with these ancient sonic forms? I hope to be presented with a compelling argument for the enduring importance of music as a cornerstone of our shared human heritage.
评分The title "Music as Intangible Cultural Heritage" immediately conjured images of ancient melodies echoing through time, carrying the stories and emotions of generations past. As a reader captivated by the ephemeral yet powerful nature of cultural expressions, this title promises a deep dive into a subject that resonates profoundly with me. I imagine the book exploring how music, in its myriad forms, serves as a vital thread in the tapestry of human societies, acting as more than mere entertainment. It could be a vehicle for transmitting complex knowledge, a cornerstone of communal identity, and a conduit for spiritual connection. I'm eager to discover how the author elucidates the concept of "intangibility" in relation to music – how do melodies, rhythms, and vocalizations, lacking physical form, nevertheless become deeply ingrained, passed down, and cherished as heritage? The title suggests a global perspective, and I anticipate encountering diverse examples, perhaps from indigenous communities where songs are inextricably linked to rituals and oral histories, or from regions where specific musical traditions define cultural festivals and social gatherings. I am particularly curious about the challenges inherent in preserving such fluid and living art forms. Does the book address the impact of modernization, globalization, or cultural homogenization on traditional music? It would be fascinating to learn about the strategies and methodologies employed to safeguard these sonic treasures, ensuring they continue to enrich the human experience for future generations. I hope to gain insights into how music’s essence transcends its sonic components to become a fundamental element of our shared cultural legacy.
评分这本书的书名《Music as Intangible Cultural Heritage》瞬间点燃了我内心深处对声音和历史交织的渴望。我一直觉得，那些流传千年的歌谣，那些在特定场合才会奏响的乐章，它们都像是时间长河里凝固的记忆碎片，蕴含着难以言喻的情感和智慧。这本书的标题让我联想到那些在遥远山村里，老人们围坐在一起，用最淳朴的嗓音唱出的古老歌谣，那歌声里有对自然的敬畏，有对生活的感悟，也有对祖先的追思。我猜想，书中会深入挖掘音乐在不同社会群体中扮演的角色，它可能不仅仅是一种娱乐形式，更是一种沟通方式，一种情感的宣泄，一种精神的寄托。例如，那些为祈福而唱的咒语，为庆祝而舞的曲子，它们都承载着深厚的文化内涵。我非常好奇，作者会如何解析音乐的“非物质性”？它是如何摆脱物质载体的束缚，却又能在人们的心灵深处留下永恒的印记？这本书可能会提供一些关于音乐传承机制的洞察，比如口头传承的技巧、音乐记忆的保存方式，以及社群在其中所起的关键作用。我尤其期待书中能够提及一些鲜为人知的音乐传统，它们或许没有被广泛地记录或传播，却在特定的区域或社群中依然保持着鲜活的生命力。同时，我也想知道，在科技日益发达的今天，传统音乐如何与现代技术相结合，以新的形式继续存在和发展？这本书是否会探讨数字化的保存、虚拟现实的体验，或者与其他艺术形式的跨界融合？我希望它能提供一些关于音乐遗产未来走向的思考，让我们看到希望，而非仅仅是感叹过去的美好。
评分《Music as Intangible Cultural Heritage》这个书名，就像一曲低沉而悠扬的旋律，在我脑海中回荡。我总觉得，音乐是人类情感最直接、最纯粹的表达方式，而当这种音乐与“非物质文化遗产”这个概念结合时，它所承载的意义就更加深邃了。我脑海里浮现的是那些在夜色中，篝火旁，人们手拉手，随着鼓点起舞的场景，那音乐是团结的象征，是喜悦的释放，也是对生命的热情歌颂。这本书的标题让我对接下来的内容充满了好奇，我期待它能够带领我走进一个又一个鲜活的文化场景，去聆听那些古老而充满生命力的音乐。它是否会分析不同文化中音乐的叙事功能？比如，那些传说、神话是如何通过音乐来传播的？那些历史事件、英雄事迹又是如何被谱写成动人的旋律，从而得以流传？我猜想，书中会对音乐在社会仪式、宗教活动、以及日常生活中扮演的角色进行细致的描绘，揭示音乐是如何与人们的生活紧密相连，成为他们身份认同和文化归属的重要组成部分。我特别想了解，那些濒临消失的音乐传统是如何被记录和保存下来的？是通过田野调查，还是通过口述历史？这本书是否会介绍一些音乐学家、民族音乐学家在保护这些宝贵遗产方面所做的努力？我希望从中能够获得一些关于音乐遗产保护的启示，认识到音乐不仅仅是听觉的艺术，更是承载历史、文化和情感的活态载体。同时，我也对书中是否会探讨音乐的“再生”问题感兴趣，即如何让这些古老的旋律在当代社会焕发新的生命力，并吸引新的听众。
评分这本书的名字叫做《Music as Intangible Cultural Heritage》，光听这个名字就觉得非常有分量，仿佛打开了一扇通往过去与未来的大门。作为一个对文化传承有着浓厚兴趣的读者，我一直对那些看不见摸不着，却深深烙印在人们生活中的事物感到着迷。音乐，无疑是其中最动人心弦的一部分。想象一下，当那些古老的旋律在祭典上响起，或者在传统的节庆中飘扬，它承载的不仅仅是音符，更是几代人的记忆、情感和对世界的理解。这本书的标题让我充满了期待，我迫切地想知道作者是如何将“音乐”这个抽象的概念，与“非物质文化遗产”这个更宏大的范畴联系起来的。它会不会深入探讨不同文化背景下，音乐是如何被赋予意义，又如何通过口传心授的方式一代代传承下去？我猜想，书中可能会涉及许多具体的音乐形式，比如部落的歌谣、民族的舞蹈音乐，甚至是那些在特定仪式中演奏的特殊曲调。这些音乐，它们不仅仅是耳朵的享受，更是一种身份的象征，一种社群的凝聚力，一种连接过去与未来的纽带。我希望这本书能够提供一些引人入胜的案例研究，让我能够更直观地理解音乐在非物质文化遗产中的具体体现。同时，我也对书中关于音乐在现代社会面临的挑战的论述非常感兴趣。在全球化和商业化的浪潮下，许多传统音乐形式都面临着式微的危机。这本书会否探讨如何保护和推广这些宝贵的音乐遗产？它又会提出哪些创新的方法？我期待着作者能为我们揭示音乐作为非物质文化遗产的独特价值，并激发我们对文化保护的更深思考。
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