Originally published in 1973, this marvelous collection of photographs with accompanying texts by the revered late Museum of Modern Art photography curator John Szarkowski has long been recognized as a classic. Reissued in 1999-with new digital duotones-this volume is now available to a new generation of readers.This is a picture book, and its first purpose is to provide the material for simple delectation," says Szarkowski in his introduction to this first survey of The Museum of Modern Art's photography collection. A visually splendid album, the book is both a treasury of remarkable photographs and a lively introduction to the aesthetics and the historical development of photography.Since 1930, when the Museum accessioned its first photograph, it has assembled an extraordinary and wide-ranging collection of pictures for preservation, study and exhibition. Among the outstanding figures represented here are Hill and Adamson, Cameron, O'Sullivan, Atget, Stieglitz, Steichen, Strand, Weston, Kertesz, Evans, Cartier-Bresson, Lange, Brassai, Ansel Adams, Shomei Tomatsu, Frank, Arbus and Friedlander.Some of these photographs are classics, familiar and well-loved favorites, many are surprising, little-known works by the masters of the art."
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萨科夫斯基的写法和当今摄影学者的写法可不太一样，前者文笔朴素多了，也不会用那些让人听不懂的术语。你可以把这本书当成一本——一位收藏癖挑选的100张最爱，关于挑选的理由，他说出了他的道理。其实每个人都有每个人的道理，沟通或者说听他人的道理是为了了解这个世界，而不是彼此说服。
评分1980 4th printing 版本。Szarkowski 的个人品味，以及历史背景
评分1980 4th printing 版本。Szarkowski 的个人品味，以及历史背景
评分MoMA的仓库可真够大 光摄影就收了这么多破烂????️十九世纪的古法印相花招是真的多 不过还是以蛋白作品居多 然后接触到了Woodburytype感觉也蛮有趣
评分评述很棒啊！幽默且动人
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