The Fourth Edition is again based on Robert Kimbrough's meticulously re-edited text. Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad's style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow's voice as Conrad heard it when he wrote the story.
" Backgrounds and Contexts " provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild's recent book, King Leopold's Ghost , as well as writings on race by Hegel, Darwin, and Galton.
" Criticism " includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden.
A Chronology and Selected Bibliography are also included.
About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
现实生活中这样的人并不少,不少人都是嘴上的梦想家,说着自己要成为怎样怎样的人,信心十足,可后来,渐渐地,当初挂在嘴边的话消失了。 开始于一段船上水手们交流故事,人们聚在一起总是需要一些话题来促进彼此的交流了解。马洛是一个阅历丰富的人,这一点无论从他的外貌还是...
评分现实生活中这样的人并不少,不少人都是嘴上的梦想家,说着自己要成为怎样怎样的人,信心十足,可后来,渐渐地,当初挂在嘴边的话消失了。 开始于一段船上水手们交流故事,人们聚在一起总是需要一些话题来促进彼此的交流了解。马洛是一个阅历丰富的人,这一点无论从他的外貌还是...
评分 评分1889年到90年期间,康拉德受一家比利时贸易公司之托前往刚果河一带,身份是一艘蒸汽船的船长---然而即使没有这段背景,我也总不由自主地把故事的第二讲述者---马洛---等同于作者:原因在于,我实在无法想象一位从来没有见识过河流和丛林、没有体验过神秘凄凉的黑暗、...
评分在大多数英雄故事中,主角需要勇气和坚韧去赢得胜利,但主要是针对外部环境对他们造成的挑战做出回应。西方古典文学遵循这一传统,行为主宰情节,在时间递进中,一步步丰满三一律所需,完善因果链条上的动机与结局,试图让一切清楚无误。现代小说与古典小说的分野,令时间之线...
《黑暗的心》一座巨大的文字迷宫,初读是从入口走进迷宫,走出来绝对不是一件轻松的事情。可是如果从空中俯瞰,就发现这迷宫的构造是如此的精妙有序,内容丰富,细腻入微却又布局井井有条。每一个细节、每一个人物和事件,都指向小说的主题。
评分heart of darkness真的太难读了。作家20年的航海经验和悲悯胸怀,成就了这个小说最伟大的主题:好人难寻,殖民掠夺下人何以为人?你要设想,整个故事连篇累牍的意象,甚至同但丁神曲的互文,都是第一人称口吻,用特别不口语化的散文诗语言讲述出来,格外消耗耐心。Conrad的语言风格不是我喜欢的类型,他是很伟大的作家。
评分heart of darkness真的太难读了。作家20年的航海经验和悲悯胸怀,成就了这个小说最伟大的主题:好人难寻,殖民掠夺下人何以为人?你要设想,整个故事连篇累牍的意象,甚至同但丁神曲的互文,都是第一人称口吻,用特别不口语化的散文诗语言讲述出来,格外消耗耐心。Conrad的语言风格不是我喜欢的类型,他是很伟大的作家。
评分Profound, but style is not to my liking.
评分Depressing as usual.
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