具體描述
In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard
著者簡介
加繆（1913-1960），法國著名小說傢、哲學傢、戲劇傢，齣生於阿爾及利亞的濛多維城。1957年因“熱情而冷靜地闡明瞭當代嚮人類良知提齣的種種問題”而獲諾貝爾文學奬，是有史以來最年輕的諾貝爾奬獲奬作傢之一。主要作品有小說《局外人》、《鼠疫》，哲學隨筆《西西弗神話》、《反與正》、《反叛者》和劇本《卡利古拉》、《誤會》等。
圖書目錄
讀後感
一) 加缪写《快乐的死》时的年龄正和我现在的年龄相仿。他在小说里提出的问题原本并不特别深刻——何为快乐？财富，时间和情爱为什么不能让人感到真正的幸福?设身处地地想想，二十四岁确实是一个人真正意义上第一次经受此类考验，并且迫切希望找到答案的时候。只不过比起...
評分不会法语的我写的一切都是扯淡，以下文字都是垃圾 ↓ 说到对比，其实也不过是我印象最深的一段。读《加缪手记》时，最喜欢关于在尸体旁边跳舞的男子和如末世般惨淡的路灯的描写。《手记》里好几段漂亮的描述都是《快乐的死》的原构想，我也正是因为《手记》才买了《快乐的死》...
評分梅尔索的生活每天在咖啡味和柏油味之间来回摆荡，与他自身很疏离，他漠不关心，也远离了他陌生的心和真相。相同的事情，在其他情况下本该深深吸引他，现在他却不想再谈论，因为他正亲身体验着它们，知道他回到房间，用尽全身的力气和谨慎，去熄灭在自己内心燃烧的生命之火。P13...
評分我在读到萨格勒斯在冰冷的保险箱放一把手枪以体验生与死边缘的快乐之时，不知为何想到了很久以前看村上春树小说里面的一个角色，一个把自己密封在井里隔绝世界的角色。 然后脑海里又蹦出了一个住在树上的子爵。惊世骇俗的否定既有人生的意义，仅仅取决于一颗小小的子弹。就好像...
評分“唯有当快乐和它相反的事物呈激烈的对立冲突时，我才能够尝到快乐的滋味”这种状态类似于加缪日后在《西西弗神话》中所提到的荒诞本质，同时也是理想与现实的困境——梅尔索所陷入的巨大荒诞。梅尔索的悲剧在于陷入逼仄的窘境却依然不放弃对希望追求。而默尔索则是明知杀人的...
用戶評價
Great and exhaustive depictions of an evanescent yet truthful life. Mixture of sensitiveness and indifference. One imagines the burning soul within an individual running across the sky and, merges into the endless sea. "J'étais émerveillé d'avoir une âme rouge."
评分Great and exhaustive depictions of an evanescent yet truthful life. Mixture of sensitiveness and indifference. One imagines the burning soul within an individual running across the sky and, merges into the endless sea. "J'étais émerveillé d'avoir une âme rouge."
评分不，並沒有太多的思辨。"People don't love each other at our age, Marthe— they please each other, that's all. Later on, when you're old and impotent, you can love someone."加繆寫到“The House above the World”時宛若沉迷田園生活時期的黑塞，隨之順流而下的後半部分是如此迷幻、意識流、感官化，Mersault在偶感風寒後顫栗著死去。
评分"Clumsily composed yet remarkably written"
评分Great and exhaustive depictions of an evanescent yet truthful life. Mixture of sensitiveness and indifference. One imagines the burning soul within an individual running across the sky and, merges into the endless sea. "J'étais émerveillé d'avoir une âme rouge."
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