Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.
After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.
Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.
After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.
In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).
In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.
Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.
In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.
第一次想读《故事》这本书,是因为一本电影杂志上的文章,那是一篇对罗伯特.麦基的专访,其中自然提到了他这本代表性的著作,众所周知,麦基在美国举办了一个专门教人如何“讲故事”的讲习班,手下的学生中也不乏一些如雷贯耳的名字,《阿甘正传》、《空军一号》、《回到未来》...
评分在读过十数本关于虚构文学的创意写作参考书籍之后,我终于可以宣布,未来的读者们只要买上其中的两本就足够了。甚至,对于时间紧迫的人,只要一本就足够了。对,仅一本足矣。 当然这些书还不是完全相同,其中异类如斯蒂芬金的《写作这回事》,完全是他一个人沾沾自喜的絮叨,...
评分最早的一本《故事》,还是在上海的时候乌青送我的。前段时间,界面的朋友邀请我给麦基做个采访,于是把这本书又重读了一遍。跟两个小朋友说这事儿,他们非常兴奋,说是熟读麦基倒背如流,于是把他俩拉过来做采访主力。先是邮件采访,问题大都是远帆提的,麦基统一录视频回答问...
评分取这个标题并没有贬低的意思,这本书非常棒,理论完整且实用,是我看过讲写作的书里最有用的一本吧~ 作者罗波特麦基是个美国人,论述相当出色,而且不乏风趣幽默,比如讲电影分类的时候说,我们(指美国人)把美国电影以外的片子都称为文艺电影,主要是指欧洲电影。 他讲到喜...
评分晃晃推荐的这本书。去年好不容易买到手,却一直放着没看。这几天在上下班路上翻阅,真是精彩。和那些晦涩的叙事学理论相比,这个好莱坞手艺人大概要证明,只要你对一个东西有专业的洞察,就一定能够便于理解地表达出来。事实上,他对美国大学在过去几十年里,将写作教学从内在...
不算是什么还让人震惊/惊喜的道理 但字字句句都非常中肯靠谱
评分走马观花地看了一遍,可谓电影工业剧本套路手册,剧本分析很多,take home message是一个好故事就是一连串节奏恰好令人信服的冲突和矛盾相互映衬对比而成的集合体,尊重又不完全取悦观众
评分Mastery of craft frees the subconcious. To build upon or subvert the "classical" story requires understanding of the structures first.
评分有些很漂亮的解剖,对于叙事本身的教学也没问题。只是我不认为narrative是电影的核心,也不认为narrative是表现人物的唯一途径。
评分003
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有