Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
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"...he went straight to the library and locked himself in. There, reading widely, thinking endlessly, and working always alone...he slowly and painstakingly gave birth to his theory...His book is full of the credits of this kind of detached singlemindedness."
评分Kracauer是个言之有物的人。He considers surrealist film as an extension of then contemporary art in the traditional sense. Like Wim Wenders, he's obsessed with reality. I really like the part he talks about the street and life as a concept.
评分"...he went straight to the library and locked himself in. There, reading widely, thinking endlessly, and working always alone...he slowly and painstakingly gave birth to his theory...His book is full of the credits of this kind of detached singlemindedness."
评分film theory
评分film theory
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