Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
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Kracauer真的是一个super organized的人，从摄影的历史切入讲电影理论，把从摄影到电影对于真实的表现的各个层面整理的条理分明、有理有据。Super organize很多时候也会有种少了一些热情的感觉。不过，Kracauer也有很多细节的、私人的观点，比如他多次提到Proust的描述是多么先锋地提前表达出了摄影和电影才有的独特性，很是有趣～
评分"...he went straight to the library and locked himself in. There, reading widely, thinking endlessly, and working always alone...he slowly and painstakingly gave birth to his theory...His book is full of the credits of this kind of detached singlemindedness."
评分好喜欢这本书啊真的是1960写的吗
评分film theory
评分"...he went straight to the library and locked himself in. There, reading widely, thinking endlessly, and working always alone...he slowly and painstakingly gave birth to his theory...His book is full of the credits of this kind of detached singlemindedness."
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