Winner of the National Book Award for Fiction
Nominated for the National Book Critics Circle Award
An American Library Association Notable Book
Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.
Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.
Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.
Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.
Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by FSG. His fourth novel, Freedom, was published in the fall of 2010.
Franzen's other honors include a 1988 Whiting Writers' Award, Granta's Best Of Young American Novelists (1996), the Salon Book Award (2001), the New York Times Best Books of the Year (2001), and the James Tait Black Memorial Prize (2002).
摘自《周末画报》 作者:钟 蓓 弗兰岑偏偏就和些“海獭式作家”站在一个队伍,写那种大视野、全景式的家族小说。他热爱包罗万象的生活题材,描写当下 人们的生活方式。他的人物既不是珠宝大盗,也不是人类天才,他们不过是平凡得不能再平凡的芸芸众生——无法解决自我的困...
評分书我是借来的,在看之前,习惯性的拆下腰封,拆下一切能拆下的东西。撇到封面上一句推销式的话:你会再次体会到阅读严肃文学的快感。我歪嘴一笑;现在看完,仍想这么歪嘴一笑。 这是一个家庭的故事,家庭的成员都个性十足,但也能看到身在一个家庭里命运的奇妙重合。 加里和...
評分因为马上要毕业了,对于未来感到恐惧,所以喜欢看这种大家一起搞砸自己的人生的小说。 Chipper 出国的那段太迷幻了,读起来有点割裂和难受。 大哥的情节,一个拥有完美生活的中年男人慢慢疯掉,回到了父辈的阴影中。 正在读 Alfred 的这一段,像在解释说一切错误都发生于原生家...
評分乔纳森•弗兰岑说:“这本书忠实地记载了我这个人。” 2001年《纠正》出版之时,他的父亲已于1995年过世,母亲也在前几年过世,他十四年的婚姻也早已崩解。这时候,他自己,是他唯一的“家”。 他出生于1959年,工程师父亲,家庭主妇母亲。他是个老来子,家里还有两个大很多...
評分乔纳森曾经登上美国时代周刊的封面,给人的印象是一个胡子拉碴,不善言辞的呆板文艺人。的确,在这个fast food的年代,花十年的功夫写一本书的作家(其实大部分人也只能称之为作者)寥寥无几,尤其是写比较艰难的社会写实题材。想想吧,描述一个患有帕金森的父亲和一个患有忧郁...
The first chapter is well-written, the Chip story interesting and amusingly relatable, but then it's just so boring...
评分不分晝夜地讀……作者真的太博學太逗樂瞭。。與Chip産生共鳴最多;至於傢庭關係之類的,沒有搞得太清楚……中部的人真那麼weird嘛,什麼時候體驗一下~
评分看得太纍瞭。這麼寫生活也是種抵抗無聊的方式——隻對作者而言。
评分好悲好悲好悲
评分我看的第一本Jonathan Franzen,也將是我看的最後一本Jonathan Franzen
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