After the Quake

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Haruki Murakami was born in Kyoto in 1949.He met his wife,Yoko,at university and they openet a jazz club in Tokyo called Peter Cat.The massive success of his novel Norwegian Wood(1987)made him a ntional celebrity.He fled Japan and did not return until1995.His other books include Dance Dance Dance,Hare-boiled Wonderland and the End of the World,A Wild Sheep Cbase,The Wind-up Bird Chronicle,Underground,his first work of non-fiction,Sputnik Sweetheart,and Soutb of the Border,West of thd Sputnik Sweetheart,and soutb of the work of F.Scott Sun.He has translated into Japanese the work of F.Scott Fitzgerald,Truman Cppote,John Irving and Raymond Carver.

Jay Rubin is a professor of Japanese literature at Harvartn University.He is the author of Haruki Murakami and the Music of Words and he has also translated Murakami's Norwegian Wood and The Wind-up Bird Cbronicle.

出版者:Vintage
作者:Haruki Murakami
出品人:
页数:144
译者:Jay Rubin
出版时间:2003-9-1
价格:USD 15.50
装帧:Paperback
isbn号码:9780099448563
丛书系列:
图书标签:
  • 村上春树 
  • 日本 
  • 小说 
  • Murakami 
  • 英文原版 
  • Haruki 
  • 英文 
  • 英文版 
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The economy was booming. People had more money than they knew what to do with. And then the earthquake struck. For the characters in After the Quake, the Kobe earthquake is an echo from a past they buried long ago. Satsuki has spent thirty years hating one man: a lover who destroyed her chances of having children. Did her desire for revenge cause the earthquake? Junpei's estranged parents live in Kobe. Should he contact them? Miyake left his family in Kobe to make midnight bonfires on a beach hundreds of miles away. Fourteen-year-old Sala has nightmares that the Earthquake Man is trying to stuff her inside a little box. Katagiri returns home to find a giant frog in his apartment on a mission to save Tokyo from a massive burrowing worm. 'When he gets angry, he causes earthquakes,' says Frog. 'And right now he is very, very angry.'This new collection of stories, from one of the world's greatest living writers, dissects the violence beneath the surface of modern Japan. (20021018)

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地震之后,觉得有些东西已经不可挽回地改变,却不知道那是什么。比以前,似乎更多地懂了一点日本这个国家或民族,却也不知道那是什么。地震之后,文艺界文化届都说将会有地震作品,却不怎么期待。《地震之后》里的几个故事,都谈到95年神户地震。地震与故事的关系个不一样。选...  

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村上在95年的神户大地震和东京地铁沙林毒气时间后 写了纪实文学地下世界和应许之地 然后写了这个短篇小说集 六个短篇都与神户大地震有关 但与其说是实质性的地震 不如说是心灵的震动 地震给人带来空虚和幻灭 它昭示看似坚实的一切对有瞬间土崩瓦解的可能 像UFO飞落钏路里岛尾说...  

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村上的after the quake里六篇short story,两篇发在纽约客,发在格兰塔杂志的Thailand不知道为什么觉得很是特别,但最喜欢的还是那篇发在GQ的青蛙君拯救东京。跑步时一直在想super frog saves tokyo这个短故事。之所以喜欢这只青蛙,不仅因为他引用尼采和陀斯妥耶夫斯基,更因为它慈悲。当katagiri这个四十岁的loser说自己只是eat,sleep,shit时,青蛙君说了让人感动的话:整个东京只有你才能帮我,我就是要拯救像你这样的人。这大致是蛋与墙的主题了。即便觉得自己活得猪狗不如、了无生趣、一生也就这样了,青蛙还是惦记着你,拼死也要拯救你,即便你从来不知道有这样一只青蛙拯救了世界。

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最喜欢Mr Frog那一篇,Honey Pie也太温暖了

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重读发现每个故事都留给我很深印象。拯救世界的青蛙君,他们拆主教的时候你为什么没有来。Nimit说"If you put your feelings into words they will turn into lies." 在一个完美的故事里 暂时取代你位置的人有一天一定会消失。

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虽然写的故事不算幸福,但是整体给人感觉却很温暖。其实还是很上进的。

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真的是就怕货比货,同时在读科塔萨尔,都是爵士爱好者,差距咋就这么大呢,当然这本即使比村上自己的《盲女睡柳》那个集子也是差了一大截 太多刻意经营的成分 不过有几篇的中心意象还是不错的,比如摇铃做爱(躲熊),海边燃起的篝火,月下起舞,梦见可以祛除心魔的蛇,最后两篇别人说好,我反而无感

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