In this dark farce of a novel, set in an old-fashioned Central European spa town, eight characters are swept up in an accelerating dance: a pretty nurse and her repairman boyfriend; an oddball gynecologist; a rich American (at once saint and Don Juan); a popular trumpeter and his beautiful, obsessively jealous wife; an disillusioned former political prisoner about to leave his country and his young woman ward.Perhaps the most brilliantly plotted and sheer entertaining of Milan Kundera's novels, Farewell Waltz poses the most serious questions with a blasphemous lightness that makes us see that the modern world has deprived us even of the right to tragedy.
Written in Bohemia in 1969-70, this book was first published (in 1976) in France under the title La valse aux adieux (Farewell Waltz), and later in thirty-four other countries. This beautiful new translation, made from the French text prepared by the novelist himself, fully reflects his own tone and intentions. As such it offers an opportunity for both the discovery and the rediscovery of one of the very best of a great writer's works.
The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, since 1975. He is the author of the novels The Joke, Farewell Waltz, Life Is Elsewhere, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short-story collection Laughable Loves—all originally written in Czech. His most recent novels Slowness, Identity, and Ignorance, as well as his nonfiction works The Art of the Novel, Testaments Betrayed, The Curtain, and Encounter, were originally written in French.
The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, for more than twenty years.
He is the author of the novels The Joke, Life Is Elsewhere, The Farewell Party, The Books of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves — all originally written in Czech.
Like Slowness, his two earlier nonfiction works, The Art of the Novel and Testaments Betrayed, were originally written in French.
Biography
For someone whom the world regards as a serious intellectual, Milan Kundera has a brilliantly twisted sense of humor. His novels depict a world of awkward orgies and disastrous pool parties, mad scientists and self-pitying poets who contract pneumonia out of spite. While Kundera's works tackle profound issues of human identity, they also playfully juggle ambiguities, ironies and paradoxes. "The novelist teaches the reader to comprehend the world as a question," he said in a 1980 interview with Philip Roth. "There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead."
Kundera was born in Brno, Czechoslovkia in 1929. Like many young Czechs who had come of age during World War II and the German occupation, Kundera was attracted to Marxist philosophy, which seemed to promise a new freedom and peace. The first literary works he produced (three volumes of poetry and a play, The Owners of the Keys) were essentially Communist propaganda, though they didn't always conform to the tenets of socialist realism approved by the state. His resistance to the official restrictions on literature helped lead to his involvement with the "Prague Spring," the brief-lived reform movement toward "socialism with a human face."
During the '60s, Kundera began writing short stories, collected as Laughable Loves, which he would later identify as the beginning of his mature work. In several of them, jokes that start out as innocent pranks evolve into catastrophes for both perpetrator and victim -- they are deeds that, like the Czech version of Communism, have escaped the control of their creators. Kundera's first novel, The Joke, concerns a young man who is brought up on political charges after sending a teasing postcard to his girlfriend ("Optimism is the opium of the people!").
The Joke was published to wide acclaim shortly before the Soviet invasion of Czechoslovakia in 1968. Following the invasion, Kundera was ousted from his film-studies teaching job, his books were pulled from libraries and bookstores, and he was forbidden to publish new work. He went on writing, however, and his novels Life Is Elsewhere and The Farewell Party were published outside his native country. Farcical and bleak, the novels developed what would become a recurring theme for Kundera, in which commitment to an abstract moral principle paves the way for corruption and evil.
In 1975, Kundera fled Czechoslovakia and settled in France, where he eventually became a citizen. His first book produced in exile, The Book of Laughter and Forgetting, remains one of his most celebrated works, weaving together autobiographical reflections with a series of connected fictions. John Updike, writing in the New York Times, called it "brilliant and original, written with a purity and wit that invite us directly in; it is also strange, with a strangeness that locks us out." His next novel, The Unbearable Lightness of Being, also drew high praise, and the 1988 film version of The Unbearable Lightness of Being starring Daniel Day-Lewis and Juliette Binoche turned Kundera into something of a celebrity.
Despite (or perhaps because of) the political pressures that shaped his early life and works, Kundera has long insisted that the novel should be a work of art, not a political or ideological statement. By the '90s, Kundera had started to write his novels in French; he is now sometimes tagged a "Franco-Czech" author. His works are often described as "novels of ideas," but he resists the term "philosophical novel." As he said in an interview with Lois Oppenheim, "There are metaphysical problems, problems of human existence, that philosophy has never known how to grasp in all their concreteness and that only the novel can seize."
岁月如流。人生跌宕起伏,令人五味杂陈... 最近读了米兰・昆德拉的小说《告别圆舞曲》,感觉昆德拉的double metaphor仅稍逊于卡夫卡,那种对人性的剖析、极权之恶潜藏于日常的邪恶面孔、底层互害、相互欺骗的社会现实,都有充分的描绘… 错乱、扭曲的情欲,心灵的自我流亡,...
评分 评分高中所写,现在看起来真可爱。 —————————————————————————— 这样可以吗,看着自己的行为被嫉妒操纵。这样可以吗,嫉妒爱人,嫉妒爱人身边的人,到一种发疯的地步让我想杀了他们。 我想,你要够坦诚,所有的一切都不可怕。被表达的...
评分 习惯于逢场做戏的爵士乐手克利马得知一位曾与自己有过一夜情缘的姑娘茹泽娜怀孕的消息后,就瞒着自己的妻子去劝说她堕胎。他的理由是:你是我心爱的人,我不想同任何人分享你的爱,哪怕是一个孩子;我们现在还不是要孩子的时候,他会影响我们的幸福....并且,他还把自己美满...
读完这本书,我有一种被彻底震撼的感觉。它并非那种轻松愉快的消遣读物,而是一次对心灵的深度挖掘与洗礼。作者的文字功力深厚,那种冷静而又充满力量的叙事方式,像一把锋利的手术刀,精准地剖开了社会结构中的那些不为人知的隐秘角落。我尤其欣赏作者处理冲突的方式,那种将宏大叙事与个体命运紧密结合的技巧,使得故事充满了张力和宿命感。里面的哲学思辨极其引人入胜,它迫使读者跳出固有的思维定势,去重新审视那些被我们习以为常的价值观。每一次翻页,都像是进行了一场智力上的角力,让人大呼过瘾。虽然有些段落需要反复揣摩,但最终的回报是巨大的,它让你在合上书本时,感觉自己看待世界的角度已经悄然发生了变化。这本书无疑是近年来难得一见的思想性与艺术性兼备的杰作。
评分我通常不太容易被文学作品中的“氛围”所打动,但这本书在这方面做到了极致。它成功营造了一种既疏离又极度亲密的阅读体验,仿佛我正在偷窥着一场只属于书中人物的私密剧目。作者对对话的把握炉火纯青,那些看似平常的交流,却暗藏着巨大的信息量和潜在的冲突,角色的性格正是通过这些不经意的言语间缓缓展现出来的。更值得称道的是,书中对于时间流逝的描绘,那种绵长而又不可逆转的无力感,与主角们的不懈抗争形成了强烈的对比,极具感染力。这本书的结局处理得极为高明,既没有给出俗套的圆满,也没有走向彻底的虚无,留给了读者一个充满余韵的思考空间。它是一次关于人类韧性的深刻致敬,读完后,心中涌起的是一种复杂而又美好的敬畏之情,值得反复品味。
评分说实话,一开始我只是抱着试试看的心态翻开这本书的,没想到却被里面那种原始而又强烈的生命力所吸引住了。作者的语言风格非常独特,既有古典文学的韵味,又不失现代语感的流畅和犀利。它描绘的那些场景,无论是广袤无垠的自然风光,还是幽深曲折的人际关系,都充满了画面感,简直可以直接搬上银幕。书中对情感的描绘达到了近乎残酷的真实,那种爱恨交织、无法抽离的宿命感,让人感同身受,甚至有些窒息。我被故事中那种对“存在”本身的追问深深吸引,它似乎在探讨,在时代的洪流中,个体如何保有其纯粹的本质。这本书的结构设计也十分巧妙,线索层层递进,直到最后一刻才揭示出所有的谜团,这种布局的精妙,足以让最挑剔的读者也为之赞叹。
评分这是一本需要“用心”去读的书,而非仅仅用眼睛。它的魅力在于那种近乎实验性的叙事结构,作者似乎在不断地挑战读者的阅读习惯。情节发展并非线性,而是充满了跳跃和隐喻,这要求读者必须保持高度的专注力,去捕捉那些隐藏在字里行间的深层含义。我特别喜欢作者对环境氛围的渲染,那种潮湿、压抑而又充满希望的独特气息,几乎能从纸页间渗透出来。书中对一些社会现象的批判,是极其尖锐且不留情面的,它撕开了温情脉脉的面纱,直指核心的虚伪。对于那些习惯于快速消费故事的读者来说,这本书可能会显得有些晦涩,但如果你愿意投入时间去解构它,你会发现其中蕴含的巨大能量和无尽的解读空间。它更像是一件需要耐心打磨的艺术品,而不是快餐式的娱乐。
评分这部作品,我得说,简直是文学界的奇迹。作者用他那令人惊叹的笔触,构建了一个宏大而又细腻的世界,让我仿佛身临其境。故事的节奏把握得恰到好处,时而如同奔腾的江河,一泻千里,将我卷入紧张刺激的情节之中;时而又像是涓涓细流,在不经意间触动我内心最柔软的地方。人物的塑造更是出神入化,每一个角色都鲜活得像是从我身边走出来的一样,他们的喜怒哀乐、他们的挣扎与成长,都深深地牵动着我的心弦。尤其是主角的内心独白,那种对命运的抗争与对人性的深刻洞察,让我读完后久久不能平静。这本书不仅仅是一个故事,更像是一面镜子,映照出我们每个人在面对生活洪流时的真实写照。那种对复杂人性的细腻描摹,那种对道德困境的深刻探讨,都让这本书的深度远超一般的小说范畴。我强烈推荐给所有热爱深度阅读、追求精神洗礼的读者。
评分Another classic
评分3.5
评分绝对是好书! To commit suicide is to spit in the Creator's face. Painter: Saint Lazarus. Life without children is a tree without leaves. "Kundera remains faithful to this subtle, wily, devious talent for a fiction of 'erotic possibilities.‘" -New York Ti
评分一般般
评分I read it as a great comical/absurd play. It is a plot entwined with characters all bearing ambitions and such selfishness towards life and love thus who are at most of the time unsatisfied with the surroundings. But to me its setting is too distant to evoke an echoing.
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