Ernest Miller Hemingway was an American author and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections and two non-fiction works. Three novels, four collections of short stories and three non-fiction works were published posthumously. Many of these are considered classics of American literature.
Hemingway was raised in Oak Park, Illinois, and after high school he reported for a few months for The Kansas City Star, before leaving for the Italian front to enlist with the World War I ambulance drivers. In 1918, he was seriously wounded and returned home. His wartime experiences formed the basis for his novel A Farewell to Arms. In 1922, he married Hadley Richardson, the first of his four wives. The couple moved to Paris, where he worked as a foreign correspondent, and fell under the influence of the modernist writers and artists of the 1920s "Lost Generation" expatriate community. The Sun Also Rises, Hemingway's first novel, was published in 1926.
After his 1927 divorce from Hadley Richardson, Hemingway married Pauline Pfeiffer. They divorced after he returned from Spanish Civil War where he had acted as a journalist, and after which he wrote For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940. They separated when he met Mary Welsh in London during World War II; during which he was present at the Normandy Landings and liberation of Paris.
Shortly after the publication of The Old Man and the Sea in 1952, Hemingway went on safari to Africa, where he was almost killed in two plane crashes that left him in pain and ill-health for much of the rest of his life. Hemingway had permanent residences in Key West, Florida, and Cuba during the 1930s and 1940s, but in 1959 he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.
The Sun Also Rises was Ernest Hemingway's first big novel, and immediately established Hemingway as one of the great prose stylists, and one of the preeminent writers of his time. It is also the book that encapsulates the angst of the post-World War I generation, known as the Lost Generation. This poignantly beautiful story of a group of American and English expatriates in Paris on an excursion to Pamplona represents a dramatic step forward for Hemingway's evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes. In an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions, this is the Lost Generation.
1 刚读完海明威《太阳照常升起》,于是来豆瓣翻看了下书评,果然有和我一样感受的: “不明白这本书好在哪里,从头到尾都在喝酒喝酒,然后说些醉话,勃莱特的爱情观也无法理解...” 我想这应该是大部分人在读这部小说时会有的疑惑,这部小说没有情节,没有故事,每天做的事都在...
評分1 刚读完海明威《太阳照常升起》,于是来豆瓣翻看了下书评,果然有和我一样感受的: “不明白这本书好在哪里,从头到尾都在喝酒喝酒,然后说些醉话,勃莱特的爱情观也无法理解...” 我想这应该是大部分人在读这部小说时会有的疑惑,这部小说没有情节,没有故事,每天做的事都在...
評分在一战后美国文坛上出现了一批年青的作家。他们在创作中表现了很多相同点,让他们的文字开始形成了一种流派!海鸣威在一九二六年发表了长篇小说《太阳照常升起》,文章的开篇引用美国老一辈女作家格特露德.斯坦的一句话作为小说的题辞:“你们都是迷惘的一代。”从此,这个流派...
評分失落,是种怎样的气质? 《太阳照常升起》,海明威的成名之作。读它是一个偶然的机会,我问师父这是一本什么气质的书,师父说它的阅读体验会很奇怪,通篇热闹,可读完后有种莫名的失落感。失落,是一种怎样的气质呢? ——1—— 引页写道“你们都是迷惘的一代”。这是来自一九...
人生首部海明威,太好看。真沒接觸過這種人物形象全靠自己摸索的書,一句上帝視角也不給你。收斂的字詞與奔放的力量,寫景疏離感,寫對話暗藏玄機,極寥寥的情感心理描寫全映著湧動的巨流。前幾章逃不齣LG的手掌心,夜裏黑水上的巴黎聖母院,客人離去後把酒倒進水槽,懦弱的猶太情郎,敏感的性無能者,滿口鬍言的和耿直粗魯的男人,悲哀絕望而風情萬種的女人。如果她找我,你會把錢給她嗎?如果她和彆的男人離開,你會替我存著嗎?迷惘至深。故事進到西班牙瞬間燃燒,鬥牛士、醉漢與牛,生命力、年輕、殺死朋友、倔強意誌,打不垮的精神與永恒的美麗真實。有這一段,他就永遠不是菲茨傑拉德。最終還是寫瞭個狂歡散去,Jake送Brett離開又接她迴來、還在信上簽Love的迷途愛情故事,但硬漢就快把繭子撞破瞭。
评分在路上在大熒幕上看起來是那麼的迷人,老海筆下點解如此的boring,是他刻意為之麼,要告訴大傢漫無目的的在路上就是這麼無聊和空虛??
评分我也真是夠迷茫的,和Jack一樣,每天喝的醉醺醺來逃避現實。海明威的小說是第一次看,看瞭一些評論纔知道他的小說是隱匿於文字之中的。整個故事以大片大片的對白為主,呈現齣糜爛世界的景象,讓我很難集中精神。小說的結尾確實是太好瞭!! 現在頭好疼。我得吹吹寒風,再看一遍。
评分說好的隻要能寫短篇就不寫長篇呢?不知道哪裏不對。像是好多個短篇結閤在一起,又不像。反正不是很喜歡...其實他長篇我就喜歡喪鍾和永彆武器吧,老人與海也有點像這本,用的是流動的盛宴裏絮絮叨叨的散文腔調,寫的故事就是沒有故事...
评分We are always chasing something as the goal and content of our life. In the process, sometimes we hurt each other, more often we hurt ourselves.
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