The Collected Stories of Lydia Davis

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出版者:Farrar, Straus and Giroux
作者:Lydia Davis
出品人:
页数:752
译者:
出版时间:2009-9-29
价格:USD 30.00
装帧:Hardcover
isbn号码:9780374270605
丛书系列:
图书标签:
  • LydiaDavis
  • 小说
  • 文学
  • 外国文学
  • 英语
  • 英文原版
  • Lydia.Davis
  • Fiction
  • Lydia Davis
  • Short Stories
  • American Literature
  • Literary Fiction
  • Contemporary Fiction
  • Minimalism
  • Language
  • Narrative Style
  • Psychological Depth
  • Precision
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具体描述

The Collected Stories of Lydia Davis is an event in American letters.

Lydia Davis is the author of one novel and seven story collections, the most recent of which was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur Fellowship and was named a Chevalier of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers including Maurice Blanchot, Michel Leiris, and Marcel Proust.

Lydia Davis is one of our most original and influential writers, a storyteller celebrated for her inventiveness, and her ability to capture the mind in overdrive. She has been called "an American virtuoso of the short story form" (Salon) and "one of the quiet giants . . . of American fiction" (Los Angeles Times Book Review). This volume contains all her stories to date, from the acclaimed Break It Down (1986) to the 2007 National book Award finalist Varieties of Disturbance.

作者简介

Lydia Davis, acclaimed fiction writer and translator, is famous in literary circles for her extremely brief and brilliantly inventive short stories. In fall 2003 she received one of 25 MacArthur Foundation “Genius” awards. In granting the award the MacArthur Foundation praised Davis’s work for showing “how language itself can entertain, how all that what one word says, and leaves unsaid, can hold a reader’s interest. . . . Davis grants readers a glimpse of life’s previously invisible details, revealing new sources of philosophical insights and beauty.” In 2013 She was the winner of the Man Booker International prize.

Davis’s recent collection, “Varieties of Disturbance” (May 2007), was featured on the front cover of the “Los Angeles Times Book Review” and garnered a starred review from “Publishers Weekly.” Her “Samuel Johnson Is Indignant” (2001) was praised by “Elle” magazine for its “Highly intelligent, wildly entertaining stories, bound by visionary, philosophical, comic prose—part Gertrude Stein, part Simone Weil, and pure Lydia Davis.”

Davis is also a celebrated translator of French literature into English. The French government named her a Chevalier of the Order of Arts and Letters for her fiction and her distinguished translations of works by Maurice Blanchot, Pierre Jean Jouve, Michel Butor and others.

Davis recently published a new translation (the first in more than 80 years) of Marcel Proust’s masterpiece, “Swann’s Way” (2003), the first volume of Proust’s “In Search of Lost Time.” A story of childhood and sexual jealousy set in fin de siecle France, “Swann’s Way” is widely regarded as one of the most important literary works of the 20th century.

The “Sunday Telegraph” (London) called the new translation “A triumph [that] will bring this inexhaustible artwork to new audiences throughout the English-speaking world.” Writing for the “Irish Times,” Frank Wynne said, “What soars in this new version is the simplicity of language and fidelity to the cambers of Proust’s prose… Davis’ translation is magnificent, precise.”

Davis’s previous works include “Almost No Memory” (stories, 1997), “The End of the Story” (novel, 1995), “Break It Down” (stories, 1986), “Story and Other Stories” (1983), and “The Thirteenth Woman” (stories, 1976).

Grace Paley wrote of “Almost No Memory” that Lydia Davis is the kind of writer who “makes you say, ‘Oh, at last!’—brains, language, energy, a playfulness with form, and what appears to be a generous nature.” The collection was chosen as one of the “25 Favorite Books of 1997” by the “Voice Literary Supplement” and one of the “100 Best Books of 1997” by the “Los Angeles Times.”

Davis first received serious critical attention for her collection of stories, “Break It Down,” which was selected as a finalist for the PEN/Hemingway Award. The book’s positive critical reception helped Davis win a prestigious Whiting Writer’s Award in 1988.

She is the daughter of Robert Gorham Davis and Hope Hale Davis. From 1974 to 1978 Davis was married to Paul Auster, with whom she has a son, Daniel Auster. Davis is currently married to painter Alan Cote, with whom she has a son, Theo Cote. She is a professor of creative writing at University at Albany, SUNY.

Davis is considered hugely influential by a generation of writers including Jonathan Franzen, David Foster Wallace and Dave Eggers, who once wrote that she "blows the roof off of so many of our assumptions about what constitutes short fiction."

目录信息

BREAK IT DOWN (1986)
Story
The Fears of Mrs. Orlando
Liminal: The Little Man
Break It Down
Mr. Burdoff's Visit to Germany
What She Knew
The Fish
Mildred and the Oboe
The Mouse
The Letter
Extracts from a Life
The House Plans
The Brother-in-Law
How W. H. Auden Spends the Night in a Friend's House:
Mothers
In a House Besieged
Visit to Her Husband
Cockroaches in Autumn
The Bone
A Few Things Wrong with Me
Sketches for a Life of Wassilly
City Employment
Two Sisters
The Mother
Therapy
French Lesson I: Le Meurtre
Once a Very Stupid Man
The Housemaid
The Cottages
Safe Love
Problem
What an Old Woman Will Wear
The Sock
Five Signs of Disturbance
ALMOST NO MEMORY (1997)
Meat, My Husband
Jack in the Country
Foucault and Pencil
The Mice
The Thirteenth Woman
The Professor
The Cedar Trees
The Cats in the Prison Recreation Hall
Wife One in Country
The Fish Tank
The Center of the Story
Love
Our Kindness
A Natural Disaster
Odd Behavior
St. Martin
Agreement
In the Garment District
Disagreement
The Actors
What Was Interesting
In the Everglades
The Family
Trying to Learn
To Reiterate
Lord Royston's Tour
The Other
A Friend of Mine
This Condition
Go Away
Pastor Elaine's Newsletter
A Man in Our Town
A Second Chance
Fear
Almost No Memory
Mr. Knockly
How He Is Often Right
The Rape of the Tanuk Women
What I Feel
Lost Things
Glenn Could
Smoke
From Below, as a Neighbor
The Great-Grandmothers
Ethics
The House Behind
The Outing
A Position at the University
Examples of Confusion
The Race of the Patient Motorcyclists
Affinity
SAMUEL JOHNSON IS INDIGNANT (2001)
Boring Friends
A Mown Lawn
City People
Betrayal
The White Tribe
Our Trip
Special Chair
Certain Knowledge from Herodotus
Priority
The Meeting
Companion
Blind Date
Examples of Remember
Old Mother and the Grouch
Samuel Johnson Is Indignant
New Year's Resolution
First Grade: Handwriting Practice
Interesting
Happiest Moment
Jury Duty
A Double Negative
The Old Dictionary
Honoring the Subjunctive
How Difficult
Losing Memory
Letter to a Funeral Parlor
Thyroid Diary
Information from the North Concerning the Ice:
Murder in Bohemia
Happy Memories
They Take Turns Using a Word They Like
Marie Curie, So Honorable Woman
Mir the Hessian
My Neighbors in a Foreign Place
Oral History (with Hiccups)
The Patient
Right and Wrong
Alvin the Typesetter
Special
Selfish
My Husband and I
Spring Spleen
Her Damage
Workingmen
In a Northern Country
Away from Home
Company
Finances
The Transformation
Two Sisters (II)
The Furnace
Young and Poor
The Silence of Mrs. Separate
Almost Over: Seperate Bedrooms
Money
Acknowledgment
VARIETIES OF DISTURBANCE (2007)
A Man from her Past
Dog and Me
Enlightened
The Good Taste Contest
Collaboration with Fly
Kafka Cooks Dinner
Tropical Storm
Good Times
Idea for a Short Documentary Film
Forbidden Subjects
Two Types
The Senses
Grammar Questions
Hand
The Caterpillar
Child Care
We Miss You: A Study of Get-Well Letters from a Class of Fourth-Graders
Passing Wind
Television
Jane and the Cane
Getting to Know Your Body
Absentminded
Southward Bound, Reads Worstward Ho
The Walk
Varieties of Disturbance
Lonely
Mrs. D and Her Maids
20 Sculptures in One Hour
Nietszche
What You Learn About the Baby
Her Mother's Mother
How It Is Done
Insomnia
· · · · · · (收起)

读后感

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小的大作家 瓦当 有经验的读者一定不难看出,来自美国的布克国际奖得主莉迪亚•戴维斯更像是一位欧洲小说家。如果美国文学指的是马克•吐温、海明威、菲茨杰拉德、福克纳……或者是她的前夫畅销小说家保罗•奥斯特的话。确切地说,戴维斯更像一位德语小说家,比如卡夫卡...  

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1.千万别将戴维斯和卡佛和安蒂比视为一类 通过数十篇短小的故事,情绪几乎成为所有情节,由此,情节的跌宕就是情绪的起伏。不难发现,一些专业评论家和戴维斯拥护者喜欢从短文本的容量里来解析该书——我看来是全无必要的,当然,戴维斯和安蒂比以及卡佛完全不同——若我们单从...  

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写评论完全是想问问究竟是谁把这本书的评论刷得那么高,结果一看发现才200+人评价。好吧,谁叫我买书前不仔细看好呢? 读了一点点,其实是只看了前两个故事。暂时读不下去了。 看来我的确是个没文化的人,看不了这种书吧。 第一个故事写了什么呢?字面意思就是一个女人和丈夫...  

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今年给我启示最深的应该是 Lydia Davis 了;即,身为写作者,在关注生活中琐碎无趣的主题时,可以如何控制内容和形式的距离,去规避无趣和庸俗。因此,Lydia Davis 不仅仅是《包法利夫人》的英译者,她也传承了福楼拜的写作方式;虽说 20 世纪以来,大多数作家免不了要受到福楼...  

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我就是我 是颜色不一样的烟火 读莉迪亚•戴维斯的小说(或者不能称为小说,暂且称作文字),给我们不一样的感受。我们习惯了故事化的演绎,更多地关注情节、浓墨情节,有序言、有开端、有高潮、有收场……,对碎片化的、梦呓式的文字难以接受,就像未熟的的青果、就像未加工...  

用户评价

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Some really sharp, witty pieces.

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看了小半本,发现原文好简单好简单(相比佶屈聱牙的译文而言),其实内容很轻浅,单纯只是在媚雅层面滑行,值得一提的只剩下形式够炫而已。

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转眼间从第一次在成大图书馆看到lydia davis就喜欢上她,三年多已经过去了。也把她的书原版一本本买回家了。好多故事真是百读不厌呀。怎么会有这么天才这么天才地合我心意多作家。已经不知道多少回一边读她的故事一边就念出声来,一边能出神好久好久了。大概会爱一辈子ld 吧

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隔了几年重读,不如当初认为的那么好了

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其实就是英文版的简短私小说 基本是第一人称或者第三人称的心理旁白和描述 第一次读到用高中英文单词可以写出大学四级阅读理解 作者属于玩耍文字的高手 可惜没有核的小说文字再妙也不觉得好

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