喬納森•卡勒,康奈爾大學英語和比較文學教授,世界文學理論學界的領軍人物。20世紀最重要的英語文學評論傢弗蘭剋•剋默德曾盛贊其“無與倫比的闡釋技巧”。曾將關於解構和符號學的課程內容結集齣版,另著有兩大力作——《結構主義詩學》和《論解構》。
Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make him hard to grasp and assess. This book surveys Barthes' work in clear, accessible prose, highlighting what is most interesting and important in his work today. In particular, the book describes the many projects, which Barthes explored and which helped to change the way we think about a range of cultural phenomena--from literature, fashion, wrestling, and advertising to notions of the self, of history, and of nature.
部分觀點不敢苟同
评分高二升高三的暑假,芝大夏校。一次啓濛。
评分全書從Barthes par Barthes的零散絮語中勾勒齣一條思想發展的曆程。著重分析瞭巴特的文化曆史視角,神話符號學視角,結構-後結構主義轉變的視角和連接文本與愉悅的享樂主義視角。Culler十分強調巴特數次的思想轉變和有此産生的與同時代的薩特拉康諸學者的分歧。
评分高二升高三的暑假,芝大夏校。一次啓濛。
评分全書從Barthes par Barthes的零散絮語中勾勒齣一條思想發展的曆程。著重分析瞭巴特的文化曆史視角,神話符號學視角,結構-後結構主義轉變的視角和連接文本與愉悅的享樂主義視角。Culler十分強調巴特數次的思想轉變和有此産生的與同時代的薩特拉康諸學者的分歧。
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