David Kepesh is white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college, when he meets Consuela Castillo, a decorous, well-mannered student of twenty-four, the daughter of wealthy Cuban exiles, who promptly puts his life into erotic disorder. Since the sexual revolution of the 1960s, when he left his wife and child, Kepesh has experimented with living what he calls an "emancipated manhood," beyond the reach of family or a mate. Over the years he has refined that exuberant decade of protest and license into an orderly life in which he is both unimpeded in the world of eros and studiously devoted to his aesthetic pursuits. But the youth and beauty of Consuela, "a masterpiece of volupt" undo him completely, and a maddening sexual possessiveness transports him to the depths of deforming jealousy. The carefree erotic adventure evolves, over eight years, into a story of grim loss. What is astonishing is how much of America's post-sixties sexual landscape is encompassed in THE DYING ANIMAL. Once again, with unmatched facility, Philip Roth entangles the fate of his characters with the social forces that shape our daily lives. And there is no character who can tell us more about the way we live with desire now than David Kepesh, whose previous incarnations as a sexual being were chronicled by Roth in THE BREAST and THE PROFESSOR OF DESIRE. A work of passionate immediacy as well as a striking exploration of attachment and freedom, THE DYING ANIMAL is intellectually bold, forcefully candid, wholly of our time, and utterly without precedent--a story of sexual discovery told about himself by a man of seventy, a story about the power of eros and the fact of death.
菲利普・罗斯(Philip Roth),1933年出生在美国新泽西州的纽瓦克市,被认为是当代最杰出的美国犹太裔作家之一。罗斯以短篇小说《再见,哥伦布》崛起,在过去的十年间,他已赢得美国多个主要文学奖项,1998年更是凭借《美国田园诗》一举获得美国普利策文学奖,电影《人性污点》即由他2000年出版的同名畅销小说改编,他也是近年来获诺贝尔文学奖呼声颇高的作家之一。
《垂死的肉身》似乎是《人性的污秽》衍生产物?六旬的大学教授,爱上了自己的学生——24岁的古巴女孩康秀拉。康秀拉,一个字面上非常美的名字,一个实际上也非常美的女孩,在这里忠实的展现了自己的另一面(作者把人的两面都展现了出来),他和教授做爱,让他看自己来月经时的...
评分先看电影《挽歌》,尔后读了原著小说《垂死的肉身》。由于电影影像的局限性,或者导演的镜头缺乏超常规的想象力和表现力,无法精准地具象这样一部饱含大量心理描写的故事,电影因此没能达到小说的深度。这样的遗憾,在看以香味描写见长的小说《香水》改编的电影中同样存在...
评分从前言开始吧,小时候喜欢小说很多,后来,但凡是有字的东西都非得想法设法去看。别人的读后也罢,前言也好,代序都好,总之,我真是喜欢书的。 如果阅读主要是作为谈资。。。我想,我无法避免这样的莫名骄傲感,总是话唠和爱掉书袋的自己,这是我值得小自傲的极少数时刻。 “...
评分那个叫康秀拉·卡斯底洛的古巴女孩,衬衣总是敞到第三颗钮扣,如同巴尔蒂斯画作中初次逾距的处女。她在一次PARTY结束后,从藏身的浴室里出来,对教授先生说,我聪明吧,一直藏在你楼上的浴室里,现在我想和你睡觉。然后她脱掉毛衣,露出丰满的胸部,他们自然就睡在了一起——这...
评分这是一本关于生与死的寓言,表面上Philip Roth所写的是一个退休老教授和一个叫康秀拉的女学生之间的爱情与情欲的故事,正如它的中译本扉页上所写的,他迷恋她的身体,无法自拔,渐渐地,对年龄 差距的恐惧、对青春的妒忌抽走了他的自信,他们结束了这段痛苦的感情。然而,这段...
080210-120210 / how much do we care about body than brain? sex, what do we want from it?
评分看完电影才急急的把剩下的看完的
评分看完电影才急急的把剩下的看完的
评分六旬老教授把妹自白
评分看完电影才急急的把剩下的看完的
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