Contents
Acknowledgements ix
1 Jonathan Sterne 1
SONIC IMAGINATIONS
PART I
Hearing, Listening, Deafness 19
2 Don Ihde 23
THE AUDITORY DIMENSION
3 Jacques Attali 29
NOISE: THE POLITICAL ECONOMY OF MUSIC
4 Jody Berland 40
CONTRADICTING MEDIA: TOWARD A POLITICAL
PHENOMENOLOGY OF LISTENING
5 Michel Chion 48
THE THREE LISTENING MODES
6 Charles Hirschkind 54
CASSETTE SERMONS, AURAL MODERNITIES AND THE
ISLAMIC REVIVAL IN CAIRO
7 Steve Goodman 70
THE ONTOLOGY OF VIBRATIONAL FORCE
8 Mara Mills 73
HEARING AIDS AND THE HISTORY OF ELECTRONICS MINIATURIZATION
9 Kate Crawford 79
FOLLOWING YOU: DISCIPLINES OF LISTENING IN SOCIAL MEDIA
PART II
Spaces, Sites, Scapes 91
10 R. Murray Schafer 95
THE SOUNDSCAPE
11 Shuhei Hosokawa 104
THE WALKMAN EFFECT
12 Emily Thompson 117
SOUND, MODERNITY AND HISTORY
13 Richard Cullen Rath 130
NO CORNER FOR THE DEVIL TO HIDE
14 John Picker 141
THE SOUNDPROOF STUDY
15 Karin Bijsterveld 152
LISTENING TO MACHINES: INDUSTRIAL NOISE, HEARING LOSS AND
THE CULTURAL MEANING OF SOUND
16 Stefan Helmreich 168
AN ANTHROPOLOGIST UNDERWATER: IMMERSIVE SOUNDSCAPES,
SUBMARINE CYBORGS AND TRANSDUCTIVE ETHNOGRAPHY
17 Barry Blesser and Linda-Ruth Salter 186
ANCIENT ACOUSTIC SPACES
18 Michael Bull 197
THE AUDIO-VISUAL IPOD
PART III
Transduce and Record 209
19 John Mowitt 213
THE SOUND OF MUSIC IN THE ERA OF ITS
ELECTRONIC REPRODUCIBILITY
20 Rick Altman 225
FOUR AND A HALF FILM FALLACIES
21 Friedrich Kittler 234
GRAMOPHONE
22 James Lastra 248
FIDELITY VERSUS INTELLIGIBILITY
23 Trevor Pinch and Frank Trocco 254
SHAPING THE SYNTHESIZER
24 Louise Meintjes 265
THE RECORDING STUDIO AS FETISH
25 Lisa Gitelman 283
THE PHONOGRAPH’S NEW MEDIA PUBLICS
26 Jason Stanyek and Benjamin Piekut 304
DEADNESS: TECHNOLOGIES OF THE INTERMUNDANE
PART IV
Collectivities and Couplings 325
27 Frantz Fanon 329
THIS IS THE VOICE OF ALGERIA
28 Michèle Martin 336
GENDER AND EARLY TELEPHONE CULTURE
29 Michelle Hilmes 351
RADIO AND THE IMAGINED COMMUNITY
30 John Durham Peters 363
THE TELEPHONIC UNCANNY AND THE PROBLEM OF COMMUNICATION
31 Gerard Goggin 372
CELLULAR DISABILITY: CONSUMPTION, DESIGN AND ACCESS
32 Ana María Ochoa Gautier 388
SOCIAL TRANSCULTURATION, EPISTEMOLOGIES OF PURIFICATION
AND THE AURAL PUBLIC SPHERE IN LATIN AMERICA
PART V
The Sonic Arts: Aesthetics, Experience, Interpretation 405
33 Richard Leppert 409
READING THE SONORIC LANDSCAPE
34 Georgina Born 419
MUSIC RESEARCH AND PSYCHOACOUSTICS
35 Douglas Kahn 427
NOISES OF THE AVANT-GARDE
36 Kodwo Eshun 449
OPERATING SYSTEM FOR THE REDESIGN OF SONIC REALITY
37 Michael Veal 454
STARSHIP AFRICA
38 Brandon LaBelle 468
AUDITORY RELATIONS
39 Tara Rodgers 475
TOWARD A FEMINIST HISTORIOGRAPHY OF ELECTRONIC MUSIC
PART VI
Voices 491
40 Jacques Derrida 495
THE VOICE THAT KEEPS SILENCE
41 Roland Barthes 504
THE GRAIN OF THE VOICE
42 Alexander Weheliye 511
DESIRING MACHINES IN BLACK POPULAR MUSIC
43 Adriana Cavarero 520
MULTIPLE VOICES
44 Jacob Smith 533
LAUGHING MACHINES
45 Mladen Dolar 539
THE LINGUISTICS OF THE VOICE
Index 555
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