Leonard Bernstein was arguably the most highly esteemed, influential, and charismatic American classical music personality of the twentieth century. Conductor, composer, pianist, writer, educator, and human rights activist, Bernstein truly led a life of Byronic intensity-passionate, risk-taking, and convention-breaking. In November 1989, just a year before his death, Bernstein invited writer Jonathan Cott to his country home in Fairfield, Connecticut for what turned out to be his last major interview-an unprecedented and astonishingly frank twelve-hour conversation. Now, in Dinner with Lenny, Cott provides a complete account of this remarkable dialogue in which Bernstein discourses with disarming frankness, humor, and intensity on matters musical, pedagogical, political, psychological, spiritual, and the unabashedly personal. Bernstein comes alive again, with vodka glass in hand, singing, humming, and making pointed comments on a wide array of topics, from popular music ("the Beatles were the best songwriters since Gershwin"), to great composers ("Wagner was always in a psychotic frenzy. He was a madman, a megalomaniac"), and politics (lamenting "the brainlessness, the mindlessness, the carelessness, and the heedlessness of the Reagans of the world"). And of course, Bernstein talks of conducting, advising students "to look at the score and make it come alive as if they were the composer. If you can do that, you're a conductorand if you can't, you're not. If I don't become Brahms or Tchaikovsky or Stravinsky when I'm conducting their works, then it won't be a great performance." After Rolling Stone magazine published an abridged version of the conversation in 1990, the Chicago Tribune praised it as "an extraordinary interview" filled with "passion, wit, and acute analysis." Studs Terkel called the interview "astonishing and revelatory." Now, this full-length version provides the reader with a unique, you-are-there perspective on what it was like to converse with this gregarious, witty, candid, and inspiring American dynamo.
碎片时间读访谈也很合适,用词生活化简单轻松,偷懒避开大段论述。 1.Mahler Grooves? 伯恩斯坦的访谈录 Dinner with Lenny: The Last Long Interview with Leonard Bernstein 里提到了这个短语:Mahler Grooves,好奇是什么典故。找了一圈还是回到伯恩斯坦,他在自己马勒六的...
評分碎片时间读访谈也很合适,用词生活化简单轻松,偷懒避开大段论述。 1.Mahler Grooves? 伯恩斯坦的访谈录 Dinner with Lenny: The Last Long Interview with Leonard Bernstein 里提到了这个短语:Mahler Grooves,好奇是什么典故。找了一圈还是回到伯恩斯坦,他在自己马勒六的...
評分碎片时间读访谈也很合适,用词生活化简单轻松,偷懒避开大段论述。 1.Mahler Grooves? 伯恩斯坦的访谈录 Dinner with Lenny: The Last Long Interview with Leonard Bernstein 里提到了这个短语:Mahler Grooves,好奇是什么典故。找了一圈还是回到伯恩斯坦,他在自己马勒六的...
評分碎片时间读访谈也很合适,用词生活化简单轻松,偷懒避开大段论述。 1.Mahler Grooves? 伯恩斯坦的访谈录 Dinner with Lenny: The Last Long Interview with Leonard Bernstein 里提到了这个短语:Mahler Grooves,好奇是什么典故。找了一圈还是回到伯恩斯坦,他在自己马勒六的...
評分碎片时间读访谈也很合适,用词生活化简单轻松,偷懒避开大段论述。 1.Mahler Grooves? 伯恩斯坦的访谈录 Dinner with Lenny: The Last Long Interview with Leonard Bernstein 里提到了这个短语:Mahler Grooves,好奇是什么典故。找了一圈还是回到伯恩斯坦,他在自己马勒六的...
最後的葬禮部分濕瞭眼眶,我好像很久沒有讀到葬禮。 八卦一籮筐,自信,跟古爾德那段也算有意思。interview 問題範本,提的問題還算不錯。
评分放瞭四年,終於把這本fire survivor翻齣來。一口氣讀完,居然會眼淚汪汪,可能是因為伯恩斯坦那種美式活力和坦率。Lenny we love you.
评分這個滿嘴噴啊…
评分Glenn Gould到Bernstein傢給他彈那個無比非主流版本的Brahms鋼一,然後帶著一頂帶瞭一萬年不脫的帽子。Bernstein的夫人不能忍,巧妙地勸服瞭Gould,給他洗瞭頭,齣來麵目煥然一新,Bernstein稱: and twenty minutes later, this gorgeous creature, this angel with golden hair, now walked back into the room. 想看這一類八卦小故事的話,可以選擇看這本書,書本身寫得不怎麼樣就是瞭。
评分圖書館藉的實體書。 Bernstein 晚年的一次晚餐訪談,聊瞭天南海北的許多東西,比如關於政治啊等等,比較 random。總體來講沒有 bernstein 自己寫的作品有意思。不過也有一些比較有意思的內容,比如關於 mahler 的內容,還有關於 glenn gould 以及那次經典的 1962.4.6 在卡內基 hall 和古爾德閤作 brahms 第一鋼協的整個事件的詳細來龍去脈。
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