What Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor. "An essential primer not only for art lovers but for art loathers too". (Express). What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cezanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting. "Robert Hughes' The Shock of the New redone a la Bill Bryson". (Telegraph). This book is essential reading for sceptics, art lovers, and the millions of us who visit art galleries every year - and are confused. It will also be enjoyed by readers of The Story of Art by E.H. Gombrich and is a perfect primer to the subject for the student or beginner. Will Gompertz is the BBC Arts Editor and probably the world's first art history stand-up comedian. He was a Director at the Tate Gallery for 7 years. He has a particular interest in modern art and has written about the arts for The Times and the Guardian for over 20 years. In 2009, he wrote and performed a sell-out one-man comedy show about modern art at the Edinburgh Festival. He was recently voted one of the world's top 50 creative thinkers by New York's Creativity Magazine.
威尔·贡培兹 Will Gompertz,1965年生,一个会说“单口相声”的艺术评论家,曾被纽约《创意》杂志评为世界上最有创意的50位思想家之一。贡培兹在泰特美术馆担任媒体主管达七年之久,并在BBC的邀请下,担任新成立的艺术频道的第一位主编。他二十多年来笔耕不辍 ,为《泰晤士报》和《卫报》撰写了很多艺术评论,并担任知名艺术批评网站 culturecritic.co.uk 的总编辑,也是英国众多前沿艺术机构的专业顾问。
1.当所有人都在画神的时候,有一群人开始画人、画俗世,他们是印象派画家。 2.当照相机发明之后,“画得像”已经没有意义了,画得再像能比相机像?于是,一件作品背后的故事、画家对艺术的思考和探索,这些变得珍贵。 3.那些光怪陆离的艺术作品——普通白布上画个黑色正方形、...
评分011 毕沙罗Camille Pissarro(1830-1903) 毕沙罗是印象派的重要代表人物之一。他早期所绘的巴黎风景在1864至1870年间均入选官方画展。1870年,他去了伦敦逃避战火。回国后,毕沙罗与印象派命运联系得越来越紧切,尽管最初是柯罗给了毕沙罗有益的影响,并且以后毕沙罗又不断表...
评分 评分在印象派之前的19世纪,浪漫主义肇兴于法国,随后又在其他国家百花齐放。以德拉克罗瓦为先驱,创作的《自由引导人民》摈弃法兰西学院派的古典主义思想,开始使用未经掺兑的纯色颜料为画作增添浑厚和活力,避开学院所钟爱的线条明晰的画法,更关注对比色相互作用下产生的那种闪...
评分艺术的历史是关于价值的历史,和科技进步的历史不一样,艺术的历史跟进步没有任何关系,它并不意味着一种完善,一种改进,一种提高;它是发现之旅,去探索未知的土地。艺术并非要像一面镜子,记录历史所有起伏,所有变化和所有重复,它的存在是为了创造自身的历史,在这过程中,...
讲述了从印象主义开始一百五十年的现代艺术各流派的特点、哲学思想、发展逻辑和社会背景。作为Tate Media的前Director,作者使用亲身经历,回应了观众们对现代艺术的不理解。清晰地阐述了现代艺术如何超越画布作为主要媒介,并重新定义了艺术家和观众的关系。
评分一本相当好的现代艺术史入门书籍。风格幽默,文笔流畅,叙述清晰,除了图片太少以外都非常好。
评分英文版更好读一些 前馆长完全在唠嗑
评分讲述了从印象主义开始一百五十年的现代艺术各流派的特点、哲学思想、发展逻辑和社会背景。作为Tate Media的前Director,作者使用亲身经历,回应了观众们对现代艺术的不理解。清晰地阐述了现代艺术如何超越画布作为主要媒介,并重新定义了艺术家和观众的关系。
评分Good. Recommended
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