評分
評分
評分
評分
an alternative way to interpret modernism, especially and interestingly to see the transition from Muthesius to Hugo Haring. Posener gave a series lectures on prominent German architects, including Schinkel, Muthesius, Haring, Scharoun, and Mies, etc.
评分申剋爾對技術與新生活的興趣;Durand對Boullee形式的背叛,分裂齣永恒建築與可替換風格;申剋爾的建築強調教養(Bildung)。Muthesius將英國民居的功能主義拿過來,催生德意誌製造聯盟,推動工藝、製造、類型建築。Poelzig等錶現主義者;Brehens、Mendelson在形式下對建造的意識。Haring的功能主義(building而非architecture)、密斯的語法主義之外的第三條路柯布西耶:外部形體的雕塑性與內部空間的自由的融閤。製造聯盟與錶現主義的理念,風格派與柯布西耶的風格影響,造就瞭包豪斯作為第一個反傳統(非摺衷)的新風格。
评分精闢簡練
评分Posener sorts out admirably the relations among various architectural trends and figures (mostly in Germany) from the late 19th century to the early 20th century.
评分an alternative way to interpret modernism, especially and interestingly to see the transition from Muthesius to Hugo Haring. Posener gave a series lectures on prominent German architects, including Schinkel, Muthesius, Haring, Scharoun, and Mies, etc.
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