How to Write a Sentence

How to Write a Sentence pdf epub mobi txt 电子书 下载 2026

出版者:Harper Paperbacks
作者:Stanley Fish
出品人:
页数:176
译者:
出版时间:2012-8-7
价格:USD 14.99
装帧:Paperback
isbn号码:9780061840531
丛书系列:
图书标签:
  • 英语写作
  • writing
  • English
  • 语言
  • 英语风格
  • 鲜活生命
  • thinking
  • stanley
  • 写作
  • 句子
  • 语法
  • 风格
  • 技巧
  • 英语
  • 语言
  • 修辞
  • 写作指南
  • 非虚构写作
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具体描述

Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language: “I am always on the lookout for sentences that take your breath away, for sentences that make you say, ‘Isn’t that something?’ or ‘What a sentence!’” Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play.

In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). His vibrant analysis takes us on a literary tour of great writers throughout history—from William Shakespeare, Jane Austen, and Henry James to Martin Luther King Jr., Antonin Scalia, and Elmore Leonard. Indeed, How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time.

From Publishers Weekly

A whole book on the lowly sentence? Stanley Fish, America's English Professor, confides that he belongs "to the tribe of sentence watchers," and shares his passion and learning through an array of examples from sentence-making masters, among them Milton, James, Dr. King, Sterne, Swift, Salinger, Elmore Leonard, Conrad, and Gertrude Stein. For Fish, language is logic. He stresses how the sentence, regardless of length-whether declarative or embroidered with qualifiers-is a structure of logical relationships. He discusses the all-important opening sentence and closing sentence, especially as the latter can be isolated from its dramatic context to convey full rhetorical effect. The reader is advised to begin with form; with practice, writers can develop three basics of style (subordinating, additive, satiric) that will allow them to make an emotional impact with their words. In the end, the craft of sentence writing is elevated to the very center of our inner lives. Fish plays the opinion card well, though a piling on of example after example, particularly of long sentences drawn from literature or theology, might leave more experienced sentence-makers to cry, "Enough already!"

From Booklist

New York Times columnist and college professor Fish appreciates fine sentences the way some people appreciate fine wine. In 10 short chapters, Fish takes readers through a cogent analysis of how to craft a sentence. He talks about form, content, and style, always taking care to illustrate his points with an ample selection of judicously chosen quotations from virtuoso writers, from Milton and Shakepeare to Anton Scalia and Elmore Leonard. He then proceeds to drill down into the quotations, zeroing in on the tense, parts of speech, or precise phrasing that make the sentences sing. He also discusses famous first and last lines, always keeping in the forefront the extraordinary power of language to shape reality. And, befitting his subject matter, he does all this in the most luminous prose. He fluidly conveys the nitty-gritty details of crafting sentences, but, even more impressive, he communicates and instills in readers a deep appreciation for beautiful sentences that “do things the language you use every day would not have seemed capable of doing.” Language lovers will flock to this homage to great writing. --Joanne Wilkinson

作者简介

Stanley Eugene Fish (born April 19, 1938) is an American literary theorist and legal scholar. He was born and raised in Providence, Rhode Island. He is often associated with postmodernism, at times to his irritation, as he describes himself as an anti-foundationalist.[1] He is the Davidson-Kahn Distinguished University Professor of Humanities and a professor of law at Florida International University, in Miami, as well as Dean Emeritus of the College of Liberal Arts and Sciences at the University of Illinois at Chicago, and the author of 12 books. Fish has also taught at the Cardozo School of Law, University of California, Berkeley, Johns Hopkins University, Columbia University, and Duke University.

Among academics, Fish has endured vigorous criticism. The conservative R. V. Young writes,“Because his general understanding of human nature and of the human condition is false, Fish fails in the specific task of a university scholar, which requires that learning be placed in the service of truth. And this, finally, is the critical issue in the contemporary university of which Stanley Fish is a typical representative: sophistry renders truth itself equivocal and deprives scholarly learning of its reason for being. . . . His brash disdain of principle and his embrace of sophistry reveal the hollowness hidden at the heart of the current academic enterprise.

目录信息

读后感

评分

读本书的要点更加确信写作是练习出来的。掌握一些固定并且具体的句子形式,照葫芦画瓢总会有七八分相像。以前读书读到好的句子也会多读几遍却不曾掌握它的形式,更不会按布就班的去练习。这本书给我了启示,也同时打开了一条通道。 虽然写作最终是一个人的阅历的沉淀,但是通...

评分

读本书的要点更加确信写作是练习出来的。掌握一些固定并且具体的句子形式,照葫芦画瓢总会有七八分相像。以前读书读到好的句子也会多读几遍却不曾掌握它的形式,更不会按布就班的去练习。这本书给我了启示,也同时打开了一条通道。 虽然写作最终是一个人的阅历的沉淀,但是通...

评分

读本书的要点更加确信写作是练习出来的。掌握一些固定并且具体的句子形式,照葫芦画瓢总会有七八分相像。以前读书读到好的句子也会多读几遍却不曾掌握它的形式,更不会按布就班的去练习。这本书给我了启示,也同时打开了一条通道。 虽然写作最终是一个人的阅历的沉淀,但是通...

评分

读本书的要点更加确信写作是练习出来的。掌握一些固定并且具体的句子形式,照葫芦画瓢总会有七八分相像。以前读书读到好的句子也会多读几遍却不曾掌握它的形式,更不会按布就班的去练习。这本书给我了启示,也同时打开了一条通道。 虽然写作最终是一个人的阅历的沉淀,但是通...

评分

读本书的要点更加确信写作是练习出来的。掌握一些固定并且具体的句子形式,照葫芦画瓢总会有七八分相像。以前读书读到好的句子也会多读几遍却不曾掌握它的形式,更不会按布就班的去练习。这本书给我了启示,也同时打开了一条通道。 虽然写作最终是一个人的阅历的沉淀,但是通...

用户评价

评分

阅读这本书的过程,更像是一场与作者之间高强度的智力对话,而非单向的信息灌输。作者的写作风格极具辨识度,他似乎并不担心读者会“误解”他的意思,因为他相信,真正有心学习的人,会主动去填补那些未明确阐述的空间。在讨论如何处理复杂的“并列结构”时,作者并未直接给出“必须用什么标点”的指令,而是引导读者思考:“当你的思想包含三个或更多同等重要的元素时,读者的大脑在接收信息时会如何排序?” 这种引导式的教学方法,极大地激发了读者的主动思考能力。我发现自己常常会因为一个巧妙的转折而停下来,回味作者是如何在不使用任何花哨修饰的前提下,完成了思维上的巨大跳跃的。这本书真正教会我的,是如何构建一个能够自我解释的语言系统,一个不需要过多外部注释就能清晰传达意图的表达框架。它不是教你“怎么写”,而是深层次地训练你“如何思考”你想要表达的内容,然后自然而然地,你的表达就会随之提升。

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这本书,坦白说,我拿到手的时候是带着一种近乎怀疑的态度。毕竟市面上关于“写作指导”的书籍已经多如牛毛,大多都是老生常谈,换汤不换药。然而,这本书的开篇就让我眼前一亮。它没有急于跳入那些晦涩的语法术语或者教条式的规则,而是从一个非常哲学性的角度切入——探讨“意图”与“表达”之间的鸿沟。作者似乎并不满足于仅仅告诉你如何搭建一个结构正确的句子,他更像是试图解剖我们的大脑是如何将一个模糊的想法转化为清晰的语言符号的。我尤其欣赏其中关于“节奏感”的论述,那部分内容详细分析了如何通过词语的选择、句子的长短变化,来控制读者的情绪起伏,营造出一种潜移默化的感染力。举例来说,书中分析了几位著名作家的开篇段落,那些分析细致入微,拆解了每一个逗号和每一个介词背后的深思熟虑,远超出了普通写作教材的深度。它更像是一本关于“语言的心理学”的手册,而非简单的技术指南,这对于我这种渴望突破写作瓶颈,寻求更高层次表达的读者来说,无疑是提供了新的视角和深刻的启发。读完前几章,我甚至开始重新审视我过去认为“完美”的那些句子,发现其中隐藏的诸多可以精进之处。

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这本书给我最大的震撼在于它对“清晰度”的执着追求。在信息爆炸的今天,我们常常陷入追求华丽辞藻的陷阱,认为复杂的句式等同于深刻的思想。但这本书像是给我泼了一盆冷水,用极其犀利且不留情面的方式,指出了冗余和模糊性对有效沟通的毁灭性影响。作者通过大量的实际案例对比,直观展示了“平庸的表达”和“精准的表达”之间那道看似微小实则巨大的鸿沟。有一章专门讨论了如何清除那些“无意义的填充词”,这些词汇占据了版面,却稀释了核心信息的力量。他的方法论非常实用,不是空泛地说“要简洁”,而是提供了一套系统的“瘦身”流程,教你如何像外科手术般精准地剔除冗余。更妙的是,他并未将“简洁”等同于“贫乏”,相反,他证明了真正的力量往往蕴藏在最精炼的表述之中。阅读过程中,我不得不经常停下来,翻阅我自己的旧稿件,然后狠狠地修改那些我曾经引以为傲的、实则臃肿不堪的段落。这本书更像是为你进行了一次彻底的“语言排毒”,让我明白了,沟通的终极目标是信息传递的无损耗,而非个人炫技的舞台。

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这本书的独特之处,在于它将“逻辑”与“美感”完美地缝合在了一起,打破了人们对于写作指导书的刻板印象——即它们要么只谈逻辑,要么只谈文采。作者在书中花了大量的篇幅来阐述,一个逻辑严密的论证,如果表达上缺乏必要的韵律和美感,其说服力会大打折扣;反之,华丽的辞藻若支撑不起严密的结构,也终将沦为空洞的口号。书中关于“论证句的构建”那一部分,简直是教科书级别的示范。它不仅仅教你如何提出论点,更重要的是,它展示了如何用一系列精心构造的从句和短语,像搭建精密的钟表一样,将证据和推论嵌入到句子中,使其结构本身就充满了不可辩驳的力量。我特别喜欢作者使用的那些富有画面感的比喻,比如将一个好的句子比作一架结构平衡的桥梁,每一个构件都必须承受其应有的重量。这种将抽象的写作原则具象化的能力,让原本枯燥的语法和修辞练习变得生动起来,它让读者意识到,写作不仅仅是文字的堆砌,更是一门关于“平衡艺术”的学科。

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我必须承认,这本书的风格非常“硬核”,它绝不是那种读起来轻松愉快的消遣读物。它要求读者投入大量的思考和练习,甚至有些章节需要反复阅读才能完全消化其中的精髓。与其他那些总是用鼓励和赞美来包装内容的指导书不同,这本书的态度是坦诚且近乎严苛的。它毫不留情地指出了那些写作中的“捷径”和“投机取巧”的弊端,强调了长期、刻意的练习才是通往卓越的唯一路径。我印象最深的是关于“句式多样性”的探讨,它并非简单地罗列了各种句式名称,而是深入剖析了不同句式对信息处理速度的影响。例如,它分析了如何运用倒装句来制造悬念,或者如何通过插入语来控制信息流的优先级。这种对结构细微差异的深度挖掘,使得这本书远超出了初级写作辅导的范畴,更像是一本面向专业人士的“高级语用学”手册。它挑战了读者的舒适区,迫使你走出那些你习惯性使用的、但可能已经僵化的表达模式,去探索语言表达的更深层潜力。对于那些已经掌握了基础语法,但渴望突破“熟练”进入“精通”阶段的写作者来说,这本书无疑是一剂强效的催化剂。

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With a misleadingly practical title, this book serves more to the author's literary musing than to any beginer's effort to improve writing.

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“Indeed, he is the Donald Trump of American academia, a brash, noisy entrepreneur of the intellect who pushes his ideas in the conceptual marketplace with all the fervour with which others peddle second-hand Hoovers.”

评分

“Indeed, he is the Donald Trump of American academia, a brash, noisy entrepreneur of the intellect who pushes his ideas in the conceptual marketplace with all the fervour with which others peddle second-hand Hoovers.”

评分

With a misleadingly practical title, this book serves more to the author's literary musing than to any beginer's effort to improve writing.

评分

With a misleadingly practical title, this book serves more to the author's literary musing than to any beginer's effort to improve writing.

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