Kazuo Shinohara (1925-2006) has proved to be the most influential architect of his generation in shaping contemporary Japanese architecture. His influence stretches from Toyo Ito, Itsuko Hasegawa and Kazunari Sakamoto, via Kazuyo Sejima, to the many excellent young studios working today. Nevertheless, his work remains little known in the West, partly due to the scarcity of publications on his work - which in turn was due to the rigorous control the architect maintained over publication of his work. Shinohara carefully selected the photographs and texts that accompanied each project, and even refused Gustavo Gili's first proposal in 2001 to revisit and photograph his buildings. This publication has only been possible after his death in 2006, thanks to the generosity of the heirs.
在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
評分在内部空间中不断出现的、粗壮沉重如同骨骼的混凝土柱子,存在的意义远远超出其结构功能范畴——它们令人强烈地感受到建筑的存在感与生命力,建筑的内在的本质力量被诱发了出来。在日常中,你走过它们如同走过一棵树的身旁。
影響瞭幾代人
评分筱原,猛!一刀神!
评分60年代的日本,“house have already become art”. 日本和西方的現代建築同步發展,互相藉鑒。
评分看不懂的英語。。。
评分前期禁欲卻風騷,後期很黃很暴力。情感強烈的住宅,獨樹一幟的理論,刺激著你的感官和思想。
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