The Possibility of an Absolute Architecture pdf epub mobi txt 电子书 下载 2025
In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.
- 建筑
- 建筑理论
- PierVittorioAureli
- 城市
- Architecture
- 哲学
- Architectural-Theory
- 意大利
Architectural form reconsidered in light of a unitary conception of architecture and the city.
具体描述
读后感
The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
评分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
评分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
评分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
评分如果以2008年全球性的经济危机为界，之前的世界格局提倡资本的自由流动——一种连续、延绵的地质，德勒兹（Gilles Deleuze）为代表的法国后结构主义哲学影响深远，伴随着计算机技术的蔓延，成为一系列新形式探索的理论指导。2008年以后，（新）自由主义带来的市场失败、资本贪...
用户评价
建筑作为城市对城市化的抵抗，历史为未来撕开现实坚硬的血痂。 帕拉迪奥、皮拉内西、布雷、昂格斯，暗含着一种progressive的建筑史观。在政治经济/城市形态/建筑形式之间转换笔锋。
评分读的相当累了 但是把建筑看作城市的归宿其实很有意思 建筑学科发展出城市规划再缩到城市设计最后回到建筑
评分Aureli is not what I imagined to be determined and definite about types. for ADR typology, recommended by Abe. like the drawings a lot thou.
评分当A（城市）在古代（希腊）的时候存在着两个意思B（政治：冲突）＋C（经济：住宅分配的效用）的话，那么，经过2000的发展，A丢掉了B，而极端的强化了C，然后A变成了D（urbanization是C主导下的infinite process）。那么，如何在D中重新找到C之后得到的E（指的是海洋中的群岛，群岛就是一个自足的形式），然后获取建筑自身的存在，就是本书的处理核心。然后作者在密斯／库哈斯、帕拉迪奥、布雷、Unger等人的实践中，得到了验证和论据。进而提及一种异样的architectural form stimualted by city project.
评分A historical overview of “autonomy of architecture” / “projects of the city”, and covers the topics after Collage City (1978), Delirious New York (1978), Bigness (1995), and some others. It views fragmentation of the contemporary built- environment from a different perspective.
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