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The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

The world is illusion,the Hindus say.We talk of despair,but true despair lies too deep for formulation..in a world where illusion could only be a concept and not something felt in the bones,it was slipping away from me.I felt it as something true which I could never adequately express and never seize again.看得我胆战心惊的游记 奈保尔用锋利而讽刺的语气把话说得那么死 不知道后两本会写成怎样

印度移民后代奈保尔先生生于英国殖民地特立尼达，18岁时前往英国求学，从25岁起他的小说获得各种文学奖项，30岁时首次回到印度做一年旅行，所见所感成集为《幽黯国度：记忆与现实交错的印度之旅》，15年与28年后，他又分别写下两本印度的观感，集结成《印度三部曲》传世。...  

奈保尔这个名字我真的听了不知道多少次，但一直都不是特别敢读，因为名声太大如雷贯耳，也因为印度这个地方在我心里实在是太大太神秘，不说别的，每年asia week new york上东区几个展印度藏品的画廊就每次在语言上都能震慑到我，从梵文到英文直接就让我懵圈的节奏，觉得这玩意...  

我在德里甘地国际机场候机的那孤零零的19个小时是这么度过的：听着机场的广播，看奈保尔的这本书，每隔两个小时上次厕所。 机场的厕所幸好不像书中说的如当年屎尿满地，相反更引起你注意的是厕所里从莲蓬头到手纸的全套装备，厕所门口巨大的男女宝莱坞明星的彩色标识，和到处...  

从十年前奈保尔得奖的那一天，就一直在听说他如何失去了根，他一只在寻找身份认同什么什么。但这种感觉却一直没有发自心底。 后来在读《半生》的时候，这种感觉才第一次到来。 而在重读印度三部曲的时候，终于明白，奈保尔为什么用一种苛刻得甚至让人愤怒的心理来看印度的原因...