Cinema and Experience pdf epub mobi txt 电子书 下载 2025
- 电影理论
- 电影
- MiriamBratuHansen
- 德国
- 学术
- 電影
- VisualCulture
- 电影研究
- 电影研究
- 经验美学
- 影像叙事
- 观众体验
- 当代电影
- 视觉文化
- 电影理论
- 文化研究
- 电影哲学
- 跨媒介叙事
具体描述
Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno - affiliated through friendship, professional ties, and argument - developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
作者简介
目录信息
读后感
The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究：心理分析-符号学 电影理论，拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究：心理分析-符号学 电影理论，拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究：心理分析-符号学 电影理论，拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究：心理分析-符号学 电影理论，拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究：心理分析-符号学 电影理论，拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
用户评价
学者的榜样
评分太详尽的考据，却缺乏提纲挈领的洞见，观点大多骑墙，显然不如SBM,HS和GK几位。
评分太详尽的考据，却缺乏提纲挈领的洞见，观点大多骑墙，显然不如SBM,HS和GK几位。
评分难能可贵的电影研究学者
评分真是不得不惊叹这本书感觉都要把Kracauer, Benjamin和Adorno都写干写尽了。在细节的对比和考据里面的确是得出了一些很有价值的洞见，不过大量严密的学术考究让这本书可能只适合学者圈阅读了。
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