Tamaki Saitō (斎藤 環 Saitō Tamaki, born September 24, 1961) is a Japanese psychologist. Saitō is Director of Medical Service at Sofukai Sasaki Hospital in Funabashi, Chiba.
Saitō is notable for his study of hikikomori, a term he coined; he is internationally recognized as Japan's leading hikikomori expert
From Cutie Honey and Sailor Moon to Nausicaä of the Valley of the Wind, the worlds of Japanese anime and manga teem with prepubescent girls toting deadly weapons. Sometimes overtly sexual, always intensely cute, the beautiful fighting girl has been both hailed as a feminist icon and condemned as a symptom of the objectification of young women in Japanese society.
In Beautiful Fighting Girl, Saito Tamaki offers a far more sophisticated and convincing interpretation of this alluring and capable figure. For Saito, the beautiful fighting girl is a complex sexual fantasy that paradoxically lends reality to the fictional spaces she inhabits. As an object of desire for male otaku (obsessive fans of anime and manga), she saturates these worlds with meaning even as her fictional status demands her ceaseless proliferation and reproduction. Rejecting simplistic moralizing, Saito understands the otaku’s ability to eroticize and even fall in love with the beautiful fighting girl not as a sign of immaturity or maladaptation but as a result of a heightened sensitivity to the multiple layers of mediation and fictional context that constitute life in our hypermediated world—a logical outcome of the media they consume.
Featuring extensive interviews with Japanese and American otaku, a comprehensive genealogy of the beautiful fighting girl, and an analysis of the American outsider artist Henry Darger, whose baroque imagination Saito sees as an important antecedent of otaku culture, Beautiful Fighting Girl was hugely influential when first published in Japan, and it remains a key text in the study of manga, anime, and otaku culture. Now available in English for the first time, this book will spark new debates about the role played by desire in the production and consumption of popular culture.
从冈田斗司夫的《御宅已死》一书中得知此书,标题很有意思,遂入手。 結論からいうと、这不是一本给阿宅看的书。如果你觉得标题给你的感觉很吸引,想着在此书里面找到能让otaku们共鸣的语言,前半来说是的,而后半开始的精神分析就是另一个次元了。一开头作者看似抛出...
评分从冈田斗司夫的《御宅已死》一书中得知此书,标题很有意思,遂入手。 結論からいうと、这不是一本给阿宅看的书。如果你觉得标题给你的感觉很吸引,想着在此书里面找到能让otaku们共鸣的语言,前半来说是的,而后半开始的精神分析就是另一个次元了。一开头作者看似抛出...
评分斋藤将宅定义为对虚拟材料感到亲和的人(也与热衷于实物的mania区别开来),他们认识到了现实不过是多重虚拟的一种,并能在多种世界观中来回穿梭。 (正如《中二病》中世界的观察者的丹生谷在靠近故事结尾时所言,就算没有“中二病”的人们,也都是在某种“病”当中的。只是他...
评分斋藤将宅定义为对虚拟材料感到亲和的人(也与热衷于实物的mania区别开来),他们认识到了现实不过是多重虚拟的一种,并能在多种世界观中来回穿梭。 (正如《中二病》中世界的观察者的丹生谷在靠近故事结尾时所言,就算没有“中二病”的人们,也都是在某种“病”当中的。只是他...
评分从冈田斗司夫的《御宅已死》一书中得知此书,标题很有意思,遂入手。 結論からいうと、这不是一本给阿宅看的书。如果你觉得标题给你的感觉很吸引,想着在此书里面找到能让otaku们共鸣的语言,前半来说是的,而后半开始的精神分析就是另一个次元了。一开头作者看似抛出...
东浩纪神作,我只支持二次元女权!
评分潦草翻过。其实蛮好的,感觉打开了一个新视角,就是感觉有些地方说得不够透彻。这个phallic girl很有启发。
评分等我懂了拉康再来读最后一章…
评分日本精神分析师《战斗美少女的精神分析》的英译版——终于看上了⋯⋯不用痛苦地查日文⋯⋯
评分东浩纪神作,我只支持二次元女权!
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