James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series, which has been translated into eighteen languages in thirty-two countries. He designed the World of Dinosaurs stamps for the United States Postal Service and has worked on assignment for National Geographic magazine, painting reconstructions of Moche, Etruscan, and similar civilizations. His unique blending of fact and fantasy has won Hugo, Chesley, Spectrum, and World Fantasy Awards. An exhibition of the artwork from Dinotopia began at the Smithsonian Museum in Washington, D.C. and will continue in the fall of 2007 at the Los Angeles Public Library and the Oshkosh Public Museum in Wisconsin. Gurney lives in the Hudson River Valley of New York with his wife, two sons, and a blue parakeet, a living descendant of dinosaurs. For more information, visit www.dinotopia.com.
James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist.
This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction.
"James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist
每次看到大触的画作,总想着自己也能画出来就好了。可每次在动手的时候,始终有种不知从何下手的感觉最后只能长叹一句技不如人。接着在大触底下留言打CALL喊666 好不容易打起兴趣,去买了一些书回来看。可那些光色教程尽在卖弄浮夸玄虚的观点,看得人一头雾水。常常让人陷入自...
評分每次看到大触的画作,总想着自己也能画出来就好了。可每次在动手的时候,始终有种不知从何下手的感觉最后只能长叹一句技不如人。接着在大触底下留言打CALL喊666 好不容易打起兴趣,去买了一些书回来看。可那些光色教程尽在卖弄浮夸玄虚的观点,看得人一头雾水。常常让人陷入自...
評分每次看到大触的画作,总想着自己也能画出来就好了。可每次在动手的时候,始终有种不知从何下手的感觉最后只能长叹一句技不如人。接着在大触底下留言打CALL喊666 好不容易打起兴趣,去买了一些书回来看。可那些光色教程尽在卖弄浮夸玄虚的观点,看得人一头雾水。常常让人陷入自...
評分关于这本书的原版,不用多赘述,它对绘画中色彩和光线的介绍精确、深入,而且通俗易懂,实用性极强,是一本难得的好书。本书不仅对初学者有指导意义,对已经开始绘画的人也尤其有帮助。。。。。。。。。。。。。。。。。。。。。。。然而。。。。。这本书的译者。。。你。。。...
評分没有买实体书,而是一如既往的选择了下载,我所看得版本是由贵哥汉化的,相信这位以绘画爱好者自居的牛人比某些英文专业出身却对艺术一窍不知的译者要好一点点。 其中提供的案例和对色彩的理解还是令我收获颇多的。试列举一二: 多云天气,阴影比平时更灰;阴光是一种惯用光,...
好難……這些光的種類啊原理啊什麼的窩真心搞不懂(之前還看瞭一套據說也是很齣名的視頻也沒看懂)……不過也不能因為自己看不懂就給彆人減星是吧,人傢還是付齣瞭心血來認真做這本書的……以後如果畫風景畫可能會重新翻齣來參考……暫時束之高閣吧~
评分不多說,工具書?
评分跟作者博客對應著看會瞭解得更充分。閤上書之後發現世界的顔色更豐富瞭。
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评分直到現在BLOGSPOT幾乎天天更新,太牛逼
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