Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey—dainty, immaculate—is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's , Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's . In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.
山姆·沃森(Sam Wasson),著名传记作家。卫斯理公会大学客座教授,林肯中心电影协会和纽约现代艺术博物馆电影顾问。擅长观察并记录好莱坞幕后故事,被誉为“记录好莱坞”的“社会科学家和历史学家”,其文章多发表于《好莱坞报道》《综艺》《纽约时报》《洛杉矶周刊》《华尔街日报》。另著有《布莱克·爱德华兹的电影》(A Splurch in the Kisser: The Movies of Blake Edwards,2009)《保罗·马祖斯基》(Paul on Mazursky,2011)和《鲍勃·福斯》(Fosse,2013)。更多信息请访问他的个人网站(www.samwasson.com)
汪忆岚,电影编剧。2007年毕业于北京大学,获文学学士学位。同年进入中国电影艺术研究中心研究生部学习,2010年获电影学硕士学位。现供职于中国电影资料馆(中国电影艺术研究中心)。
每一个说起《蒂凡尼的早餐》的人,都要提到电影的第一个镜头。霍利在破晓时分走下出租车,来到尚未开门的蒂凡尼珠宝店外,拿出牛皮纸袋里装着的面包和咖啡,对着橱窗享用早餐。就这样,赫本那身穿小黑裙走在第五大道上的身影留在了影史和每个观众的心中。 但同时留下的还有一...
评分在读《清晨5点的第五大道》这本传说中的揭秘书之前,又去重温了一遍《蒂凡尼的早餐》,画面漂亮、女主迷人、插曲动听、结局浪漫,一切完美得不可思议。从头至尾,我都被奥黛丽的一颦一笑深深吸引眼球,完全无暇在意她的职业与缺点。通过感性的观影体验,我以为那是一个关于一个...
评分时至今日,当姑娘们穿着各色霓裳,穿行在繁华都市的每一条街上时,她们恐怕很难想象,只是在不到一个世纪前,这恐怕还是很难想象的景象。这也便不难解释,对于电影《蒂凡尼的早餐》,为何到了今天,除了片中奥黛丽•赫本的美丽从未褪色外,人们对于赫本所饰演的“坏女孩”...
评分by lihemei 就像所有“不是意外的意外”一样,挑选“好女人”奥黛丽扮演“不太好的”应招女郎霍利·戈莱特利也在情理之中。这是全书正文的第一句话,而“不是意外的意外”也是我读完这本书后最强烈的感受。 说来惭愧,作为一个自称爱读书的人,我读书的速度却很慢,读完一本...
评分在没有读过《清晨5点的第五大道》前,我只知《蒂凡尼的早餐》是一部对当今社会影响深刻的电影,却不知在电影拍摄的背后会有如此扣人心弦的故事,更不知这部电影被后世赞誉为“现代女性的黎明”。 作者山姆·沃森在序中引用了当时一个愤青的话,大致意思是这样的:“站在道德的...
what Audrey offered - namely to the girls - was a glimpse of someone who lived by her own codes of interests, not her mother's, and who did so much with a wholesome independence of spirit.
评分电影八卦很好看,文笔不analytical的部分也好,咕咕
评分what Audrey offered - namely to the girls - was a glimpse of someone who lived by her own codes of interests, not her mother's, and who did so much with a wholesome independence of spirit.
评分what Audrey offered - namely to the girls - was a glimpse of someone who lived by her own codes of interests, not her mother's, and who did so much with a wholesome independence of spirit.
评分追溯《蒂凡尼早餐》制片、导演、选角、编剧、作曲、服装的方方面面。牛郎与应召女郎的故事是对好莱坞成规的挑战,而Holly Golightly确立了60年代早期的新女性形象:新的性感,新的道德准则,新的时尚品味与个性。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有