山姆·沃森(Sam Wasson),著名傳記作傢。衛斯理公會大學客座教授,林肯中心電影協會和紐約現代藝術博物館電影顧問。擅長觀察並記錄好萊塢幕後故事,被譽為“記錄好萊塢”的“社會科學傢和曆史學傢”,其文章多發錶於《好萊塢報道》《綜藝》《紐約時報》《洛杉磯周刊》《華爾街日報》。另著有《布萊剋·愛德華茲的電影》(A Splurch in the Kisser: The Movies of Blake Edwards,2009)《保羅·馬祖斯基》(Paul on Mazursky,2011)和《鮑勃·福斯》(Fosse,2013)。更多信息請訪問他的個人網站(www.samwasson.com)
汪憶嵐,電影編劇。2007年畢業於北京大學,獲文學學士學位。同年進入中國電影藝術研究中心研究生部學習,2010年獲電影學碩士學位。現供職於中國電影資料館(中國電影藝術研究中心)。
Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey—dainty, immaculate—is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's , Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's . In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.
记得好像从前看过一篇朴树参与完电影《那时花开》后的采访,大意是他说不打算再参与了,因为过程太痛苦,想来也是,光鲜亮丽的表面一旦落实到细微琐屑之处,对于不谙实务的人来说想必痛苦,所以也难怪电影被称为一种“造梦”,观众只负责“梦”,至于怎么“造”的,“造”的过...
評分在没有读过《清晨5点的第五大道》前,我只知《蒂凡尼的早餐》是一部对当今社会影响深刻的电影,却不知在电影拍摄的背后会有如此扣人心弦的故事,更不知这部电影被后世赞誉为“现代女性的黎明”。 作者山姆·沃森在序中引用了当时一个愤青的话,大致意思是这样的:“站在道德的...
評分记得好像从前看过一篇朴树参与完电影《那时花开》后的采访,大意是他说不打算再参与了,因为过程太痛苦,想来也是,光鲜亮丽的表面一旦落实到细微琐屑之处,对于不谙实务的人来说想必痛苦,所以也难怪电影被称为一种“造梦”,观众只负责“梦”,至于怎么“造”的,“造”的过...
評分因为读了《清晨5点的第五大道》,又忍不住翻出古老的《蒂凡尼的早餐》重温了一遍——精美的服装、精致的佳人、精湛的演技,无不令人叹为观止。荧屏上的佳人巧笑嫣然、顾盼生姿,已然跳脱了《罗马假日》里那最初的单纯女孩儿形象。如果不读这本书,是很难懂得这种改变从...
評分在没有读过《清晨5点的第五大道》前,我只知《蒂凡尼的早餐》是一部对当今社会影响深刻的电影,却不知在电影拍摄的背后会有如此扣人心弦的故事,更不知这部电影被后世赞誉为“现代女性的黎明”。 作者山姆·沃森在序中引用了当时一个愤青的话,大致意思是这样的:“站在道德的...
what Audrey offered - namely to the girls - was a glimpse of someone who lived by her own codes of interests, not her mother's, and who did so much with a wholesome independence of spirit.
评分電影八卦很好看,文筆不analytical的部分也好,咕咕
评分what Audrey offered - namely to the girls - was a glimpse of someone who lived by her own codes of interests, not her mother's, and who did so much with a wholesome independence of spirit.
评分我們對赫本的喜愛很多都建立在她對我們程式化想象給予瞭滿足,她的形象是從女兒到母親的範本;某種意義上我對gakki的喜愛也是同樣來源。然而作為演員和女性自身,這種程式都是災難。作為觀眾,我還是收起這些膚淺的愛吧…
评分為瞭拍攝Holly在tiffany門口吃breakfast sandwich那一幕,製作組closed the entire fifth avenue for shooting. Pretty interesting book, but not necessarily an easy read
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