Mad Men and Philosophy

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出版者:Wiley
作者:Rod Carveth
出品人:
页数:272
译者:
出版时间:2010-6-1
价格:USD 18.95
装帧:Paperback
isbn号码:9780470603017
丛书系列:
图书标签:
  • 哲学
  • 广告狂人
  • MadMen
  • 英文书
  • 美剧
  • 电影
  • 文化研究
  • 英文原版
  • Mad Men
  • Philosophy
  • Advertising
  • 1960s
  • Culture
  • Society
  • Media
  • History
  • Ethics
  • Identity
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具体描述

A look at the philosophical underpinnings of the hit TV show, Mad Men

With its swirling cigarette smoke, martini lunches, skinny ties, and tight pencil skirts, Mad Men is unquestionably one of the most stylish, sexy, and irresistible shows on television. But the series becomes even more absorbing once you dig deeper into its portrayal of the changing social and political mores of 1960s America and explore the philosophical complexities of its key characters and themes. From Socrates, Plato, and Aristotle to John Kenneth Galbraith, Milton Friedman, and Ayn Rand, Mad Men and Philosophy brings the thinking of some of history's most powerful minds to bear on the world of Don Draper and the Sterling Cooper ad agency. You'll gain insights into a host of compelling Mad Men questions and issues, including happiness, freedom, authenticity, feminism, Don Draper's identity, and more.

Takes an unprecedented look at the philosophical issues and themes behind AMC's Emmy Award-winning show, Mad Men

Explores issues ranging from identity to authenticity to feminism, and more

Offers new insights on your favorite Mad Men characters, themes, and storylines

Mad Men and Philosophy will give Mad Men fans everywhere something new to talk about around the water cooler.

From the Back Cover

Is Don Draper a good man?

What do Peggy, Betty, and Joan teach us about gender equality?

What are the ethics of advertising—or is that a contradiction in terms?

Is Roger Sterling an existential hero?

We're better people than we were in the sixties, right?

With its swirling cigarette smoke, martini lunches, skinny ties, and tight pencil skirts, Mad Men is unquestionably one of the most stylish, sexy, and irresistible shows on television. But the series becomes even more absorbing once you dig deeper into its portrayal of the changing social and political mores of 1960s America and explore the philosophical complexities of its key characters and themes. From Socrates, Plato, and Aristotle to John Kenneth Galbraith, Milton Friedman, and Ayn Rand, Mad Men and Philosophy brings the thinking of some of history's most powerful minds to bear on the world of Don Draper and the Sterling Cooper ad agency. You'll gain insights into a host of compelling Mad Men questions and issues, including happiness, freedom, authenticity, feminism, Don Draper's identity, and more—and have lots to talk about the next time you find yourself around the water cooler.

作者简介

目录信息

ACKNOWLEDGMENTS: "I Think We Need to Salute That!"
Introduction: "A Thing Like That".
PART ONE: "PEOPLE MAY SEE THINGS DIFFERENTLY, BUT THEY DON’T REALLY WANT TO": MAD MEN AND PROBLEMS OF KNOWLEDGE AND FREEDOM.
1 What Fools We Were: Mad Men, Hindsight, and Justification (Landon W. Schurtz).
2 "People Want to Be Told What to Do So Badly That They'll Listen to Anyone": Mimetic Madness at Sterling Cooper (George A. Dunn).
3 Capitalism and Freedom in the Affluent Society (Kevin Guilfoy).
PART TWO: "THERE IS NO BIG LIE, THERE IS NO SYSTEM, THE UNIVERSE IS INDIFFERENT": MAD MEN AND THE PROBLEM OF MEANING.
4 Pete, Peggy, Don, and the Dialectic of Remembering and Forgetting (John Fritz).
5 The Existential Void of Roger Sterling (Raymond Angelo Belliotti).
6 Egoless Egoists: The Second-Hand Lives of Mad Men (Robert White).
7 An Existential Look at Mad Men: Don Draper, Advertising, and the Promise of Happiness (Ada S. Jaarsma).
PART THREE: "AND YOU KNOW WHAT HAPPINESS IS?": MAD MEN AND ETHICS.
8 "In on It": Honesty, Respect, and the Ethics of Advertising (Andreja Novakovic and Tyler Whitney).
9 Creating the Need for the New: "It's Not the Wheel. It's the Carousel." (George Teschner and Gabrielle Teschner).
10 "You're Looking in the Wrong Direction": Mad Men and the Ethics of Advertising (Adam Barkman).
11 Is Don Draper a Good Man? (Andrew Terjesen).
12 Don Draper, on How to Make Oneself (Whole Again) (John Elia).
PART FOUR: "NO ONE ELSE IS SAYING THE RIGHT THING ABOUT THIS": MAD MEN AND SOCIAL PHILOSOPHY.
13 "And Nobody Understands That, but You Do": The Aristotelian Ideal of Friendship among the Mad Men (and Women) (Abigail E. Myers).
14 Mad Women: Aristotle, Second-Wave Feminism, and the Women of Mad Men (Ashley Jihee Barkman).
15 "We've Got Bigger Problems to Worry about Than TV, Okay?" Mad Men and Race (Rod Carveth).
16 "New York City Is a Marvelous Machine": Mad Men and the Power of Social Convention (James B. South).
APPENDIX: It's Not a List of Titles and Air Dates; It's an Episode Guide.
CONTRIBUTORS: Some Real Mad Men and Women.
INDEX: Client Files Lifted from Sterling Cooper.
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读后感

评分

nietzche claims that too much history, too much remembering, can ultimately destory the present and the future. pete is unable to be happy for anyone, including himself, because he is unable to forget their success and his inadequacies. peggy is a charact...

评分

nietzche claims that too much history, too much remembering, can ultimately destory the present and the future. pete is unable to be happy for anyone, including himself, because he is unable to forget their success and his inadequacies. peggy is a charact...

评分

nietzche claims that too much history, too much remembering, can ultimately destory the present and the future. pete is unable to be happy for anyone, including himself, because he is unable to forget their success and his inadequacies. peggy is a charact...

评分

nietzche claims that too much history, too much remembering, can ultimately destory the present and the future. pete is unable to be happy for anyone, including himself, because he is unable to forget their success and his inadequacies. peggy is a charact...

评分

nietzche claims that too much history, too much remembering, can ultimately destory the present and the future. pete is unable to be happy for anyone, including himself, because he is unable to forget their success and his inadequacies. peggy is a charact...

用户评价

评分

《广告狂人》,一部很妙的剧,一部不屑于吊观众胃口很粗暴剪辑的剧,表面冷酷暗里汹涌激烈的大部头,用广告这个行业来引线,好像讲的是职业,窜起的确是“人”在不同的政治和历史背景任意情境中为了生存而作出的人生选择和无奈的被选择。而这本书,其实是借了这部剧的壳,从苏格拉底到尼采等等,把历史上很多流派的哲学观点浅显的传递给了读者,所以本来晦涩的哲学,在书中显得很好懂。注:我很着迷剧中Don跟Peggy之间的复杂的亦师亦友亦敌的情感/每周五返深高铁固定看一集,不多不少,成了习惯。

评分

《广告狂人》,一部很妙的剧,一部不屑于吊观众胃口很粗暴剪辑的剧,表面冷酷暗里汹涌激烈的大部头,用广告这个行业来引线,好像讲的是职业,窜起的确是“人”在不同的政治和历史背景任意情境中为了生存而作出的人生选择和无奈的被选择。而这本书,其实是借了这部剧的壳,从苏格拉底到尼采等等,把历史上很多流派的哲学观点浅显的传递给了读者,所以本来晦涩的哲学,在书中显得很好懂。注:我很着迷剧中Don跟Peggy之间的复杂的亦师亦友亦敌的情感/每周五返深高铁固定看一集,不多不少,成了习惯。

评分

Extremely interesting. Skillfully use basic concepts in philosophy to understand major characters and story lines in Mad Men. In the meantime, explaining these philosophical concepts in a simple and logic way that even a layman would find it easy to grasp. Also provides with a philosophical/logical way to understand the past and current world.

评分

《广告狂人》,一部很妙的剧,一部不屑于吊观众胃口很粗暴剪辑的剧,表面冷酷暗里汹涌激烈的大部头,用广告这个行业来引线,好像讲的是职业,窜起的确是“人”在不同的政治和历史背景任意情境中为了生存而作出的人生选择和无奈的被选择。而这本书,其实是借了这部剧的壳,从苏格拉底到尼采等等,把历史上很多流派的哲学观点浅显的传递给了读者,所以本来晦涩的哲学,在书中显得很好懂。注:我很着迷剧中Don跟Peggy之间的复杂的亦师亦友亦敌的情感/每周五返深高铁固定看一集,不多不少,成了习惯。

评分

《广告狂人》,一部很妙的剧,一部不屑于吊观众胃口很粗暴剪辑的剧,表面冷酷暗里汹涌激烈的大部头,用广告这个行业来引线,好像讲的是职业,窜起的确是“人”在不同的政治和历史背景任意情境中为了生存而作出的人生选择和无奈的被选择。而这本书,其实是借了这部剧的壳,从苏格拉底到尼采等等,把历史上很多流派的哲学观点浅显的传递给了读者,所以本来晦涩的哲学,在书中显得很好懂。注:我很着迷剧中Don跟Peggy之间的复杂的亦师亦友亦敌的情感/每周五返深高铁固定看一集,不多不少,成了习惯。

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