One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
具體描述
讀後感
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用戶評價
…that failed beautifully? ❤️
评分I am now as exhausted as Perec was.
评分(1) L'infraordinaire (extraordinary的對立麵）:剩下的、未被記錄的、未被注意的、沒有重要性的。（2）“窮盡”－清單－記錄－分類學－archive（3）"什麼都沒有發生的時候，發生的事“，記錄全部“日常”帶來的效應 （4）達利 “documentaries", 1929
评分耗盡巴黎某處的一次嘗試，輕而易舉的介入，窮舉式的類型學把存在變成夢幻泡影，真實/虛構的消解是副産品。 （BGM：https://music.douban.com/subject/34975171/）
评分感覺可以在自己傢周圍做一次這樣的寫作練習
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