One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
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耗尽巴黎某处的一次尝试,轻而易举的介入,穷举式的类型学把存在变成梦幻泡影,真实/虚构的消解是副产品。 (BGM:https://music.douban.com/subject/34975171/)
评分动人,连续三天事无巨细的记录竟然有着戏剧感,第一天晚上下的雨,第二天停了,而在第三天上午又开始落下,像是经过了一次中场休息。演出成员是所有匆匆走过的行人,鸽子,车辆,喷泉和教堂,阳光和雨。
评分I am now as exhausted as Perec was.
评分觉得就是自己附体,过往在欧洲到处游荡的时候,寄回来的明信片都是这些时时刻刻
评分(1) L'infraordinaire (extraordinary的对立面):剩下的、未被记录的、未被注意的、没有重要性的。(2)“穷尽”-清单-记录-分类学-archive(3)"什么都没有发生的时候,发生的事“,记录全部“日常”带来的效应 (4)达利 “documentaries", 1929
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