One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
评分
评分
评分
评分
…that failed beautifully? ❤️
评分耗尽巴黎某处的一次尝试,轻而易举的介入,穷举式的类型学把存在变成梦幻泡影,真实/虚构的消解是副产品。 (BGM:https://music.douban.com/subject/34975171/)
评分动人,连续三天事无巨细的记录竟然有着戏剧感,第一天晚上下的雨,第二天停了,而在第三天上午又开始落下,像是经过了一次中场休息。演出成员是所有匆匆走过的行人,鸽子,车辆,喷泉和教堂,阳光和雨。
评分今天的游客还会是昨天的游客吗?
评分有一种人们由咖啡馆走出 四散开来 又钻进各自生活里去的隔离感 天阴沉 白天下着细密的雨 傍晚五点多已经看不清窗外行人的脸 街灯逐盏地亮起 街道总是湿漉漉的 时间一点点将人经过的痕迹抹去 说不清今天见到人是否昨天也见过 却知道今天广场上的鸽子昨天也来过
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有