One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
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(1) L'infraordinaire (extraordinary的对立面）:剩下的、未被记录的、未被注意的、没有重要性的。（2）“穷尽”－清单－记录－分类学－archive（3）"什么都没有发生的时候，发生的事“，记录全部“日常”带来的效应 （4）达利 “documentaries", 1929
评分…that failed beautifully? ❤️
评分I am now as exhausted as Perec was.
评分今天的游客还会是昨天的游客吗？
评分(1) L'infraordinaire (extraordinary的对立面）:剩下的、未被记录的、未被注意的、没有重要性的。（2）“穷尽”－清单－记录－分类学－archive（3）"什么都没有发生的时候，发生的事“，记录全部“日常”带来的效应 （4）达利 “documentaries", 1929
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