Hailed by The New York Times Book Review as "a gifted observer, able to discern the exact details that bring whole worlds into being" and "a storyteller who could keep a sultan on the edge of his throne for a thousand and one nights," A. S. Byatt writes some of the most engaging and skillful novels of our time. Time magazine calls her "a novelist of dazzling inventiveness."
Possession , for which Byatt won England's prestigious Booker Prize, was praised by critics on both sides of the Atlantic when it was first published in 1990. "On academic rivalry and obsession, Byatt is delicious. On the nature of possession--the lover by the beloved, the biographer by his subject--she is profound," said The Sunday Times (London). The New Yorker dubbed it "more fun to read than The Name of the Rose . . . Its prankish verve [and] monstrous richness of detail [make for] a one-woman variety show of literary styles and types." The novel traces a pair of young academics--Roland Michell and Maud Bailey--as they uncover a clandestine love affair between two long-dead Victorian poets. Interwoven in a mesmerizing pastiche are love letters and fairytales, extracts from biographies and scholarly accounts, creating a sensuous and utterly delightful novel of ideas and passions.
A. S. Byatt is famed for her short fiction, collected in Sugar and Other Stories, The Matisse Stories, and The Djinn in the Nightingale's Eye. Her full-length novels include the Booker Prize-winning Possession and the trilogy sequence The Virgin in the Garden, Still Life, and Babel Tower.
在电影无可救药爱上你(多么可怕的译名)的开始,男主角罗兰,穷困潦倒的助理研究员,在维多利亚时期诗人Ash的旧书里发现了两张信纸,信是写给一位不知名的“亲爱的女士”的。两封信都是草稿,能看出Ash对这位偶然遇到的女士一见倾心,却对如何恰当地表达心意一筹莫展。罗兰觉...
評分一、艾什与兰蒙特的故事是本书的主线 兰蒙特生于1825年,与“湖畔派”针锋相对的“撒旦派”诗人在她生前相继离世(济慈于1821年,雪莱于1822年,拜伦1824年)。艾什应略年长于她。俩人均受到了这些前辈诗人的熏陶。总的来说,艾什的作品和罗伯特·勃朗宁有几分相似,有着同样的...
評分将近三个月的时间,才依依不舍,终于把它放下。 忍不住去往操场,静静走上一圈,没有艾许,没有克里斯塔贝尔,没有罗兰,也没有莫德,就让我一觉醒来,把这些,全部遗忘。 古朴的封面,吸引我翻开了书本的序言,是因为人类的好奇心?我想,是的。 看到小小的页码“-30-”,...
評分陆建德(问): 您的这本《占有》里有很多诗,大多都是您自己创作的。对于诗歌的情怀,您能否介绍一下。 拜厄特(答):我当学生的时候就挺喜欢诗歌,主要是两方面的原因。 一个原因是说我觉得诗歌的语言性更强,用在小说里面,即使有一些地方写得不够好,小说也还是立得住。...
評分相爱的人,常常使爱变得残酷无情。 当艾许遇上兰蒙特,当兰蒙特遇上艾许。他们早已迷乱在无边的恨海情里了。这么一本大书,厚厚480页,四五十万字,却能一个字一个字读细细地读,为他们的痴情,为他们的迷狂,为他们不计一切地奔向对方沉迷。 上帝造了人,给了人思想,却常常让...
這個版本字太小
评分掉書袋的偵探愛情故事,看完意猶未盡,隻是結尾巧閤太多有點落入俗套。另外,這一版的字印得實在太小,不推薦購買此版本。
评分掉書袋的偵探愛情故事,看完意猶未盡,隻是結尾巧閤太多有點落入俗套。另外,這一版的字印得實在太小,不推薦購買此版本。
评分這本書買來已經將近一年,可是我現在讀瞭一半不到一點,中間停停看看,剛開始我似乎被作者華麗和細膩的辭藻弄得有點缺乏耐心,現在重新拾起,似乎發現瞭魅力,期待中(๑˙ー˙๑)
评分掉書袋的偵探愛情故事,看完意猶未盡,隻是結尾巧閤太多有點落入俗套。另外,這一版的字印得實在太小,不推薦購買此版本。
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