Many Japanese once revered the wolf as Oguchi no Magami, or Large-Mouthed Pure God, but as Japan began its modern transformation wolves lost their otherworldly status and became noxious animals that needed to be killed. By 1905 they had disappeared from the country. In this spirited and absorbing narrative, Brett Walker takes a deep look at the scientific, cultural, and environmental dimensions of wolf extinction in Japan and tracks changing attitudes toward nature through Japan's long history.
Grain farmers once worshiped wolves at shrines and left food offerings near their dens, beseeching the elusive canine to protect their crops from the sharp hooves and voracious appetites of wild boars and deer. Talismans and charms adorned with images of wolves protected against fire, disease, and other calamities and brought fertility to agrarian communities and to couples hoping to have children. The Ainu people believed that they were born from the union of a wolflike creature and a goddess.
In the eighteenth century, wolves were seen as rabid man-killers in many parts of Japan. Highly ritualized wolf hunts were instigated to cleanse the landscape of what many considered as demons. By the nineteenth century, however, the destruction of wolves had become decidedly unceremonious, as seen on the island of Hokkaido. Through poisoning, hired hunters, and a bounty system, one of the archipelago's largest carnivores was systematically erased.
The story of wolf extinction exposes the underside of Japan's modernization. Certain wolf scientists still camp out in Japan to listen for any trace of the elusive canines. The quiet they experience reminds us of the profound silence that awaits all humanity when, as the Japanese priest Kenko taught almost seven centuries ago, we "look on fellow sentient creatures without feeling compassion."
Brett L. Walker is Regents' Professor and department chairperson of history and philosophy at Montana State University, Bozeman, and the author of The Conquest of Ainu Lands: Ecology and Culture in Japanese Expansion, 1590-1800.
"Brett Walker observed first hand the reintroduction of wolves into the Greater Yellowstone Ecosystem in the 1990s. So moved was he by his encounter with Yellowstone wolves in the wild . . . that he embarked on an exploration of wolf biology, folklore, and history in the Japanese archipelago that finally yielded this ambitious and boldly speculative book. What he found will be of great interest to anyone who cares about human relationships with wolves - and the rest of wild nature besides - anywhere on earth." - from the Foreword by William Cronon
"The subject of this book will be of interest to many people, and the writing and scholarship are of high quality." - L. David Mech, author of Wolves: Behavior, Ecology, and Conservation
"Walker has taken the seemingly obscure topic of Japanese wolves and their extinction and used it to illuminate Japanese history more broadly. In doing so he has addressed an issue directly related to the central human agenda of the 21st century, that of survival in a severely overburdened and rapidly deteriorating global biosystem." - Conrad Totman, author of Preindustrial Korea and Japan in Environmental Perspective
Brett L. Walker is Regents' Professor and department chairperson of history and philosophy at Montana State University, Bozeman, and the author of The Conquest of Ainu Lands: Ecology and Culture in Japanese Expansion, 1590-1800.
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这本书的背景设定几乎让我产生了一种身临其境的错觉。虽然我从未到过故事发生地的具体地域,但作者通过对地理特征、气候变化乃至民间传说的融入,成功地构建了一个令人信服的、具有强烈地域烙印的世界观。我特别喜欢作者处理自然环境的方式,自然不再仅仅是故事的背景板,而是成为了一个有生命力的角色,它的每一次“呼吸”(风暴、季节更迭)都在无形中影响着人物的抉择和命运的走向。例如,书中对某个特定季节来临时,当地人行为模式的描述,充满了人类学研究的细致与尊重,让人感受到一种厚重的历史沉淀感。这种对“地方性”的执着描摹,使得整个故事的基调显得沉稳而真实,完全没有当代文学中常见的漂浮感。
评分坦白地说,这本书的阅读门槛不算低,它需要读者投入相当的耐心和专注力,因为它拒绝提供廉价的娱乐性。但一旦你适应了它的节奏和深度,收获将是巨大的。这本书最成功的一点在于,它提出了许多尖锐的问题,却不提供任何简单的答案。它让你在合上书本后,仍然会在深夜里反复咀嚼那些没有明确解释的场景和人物动机。对我来说,一部伟大的作品,不是那种读完就忘了的爆米花小说,而是能在我心中种下一颗种子,让我持续思考并不断回味的作品。这部作品无疑做到了这一点,它探讨的主题是永恒的——关于身份的追寻、与过去和解的艰难,以及在巨大历史洪流面前个体的渺小与不屈。它的影响力是深远的,绝非一时的新鲜感可以比拟。
评分这部作品的语言风格呈现出一种古典的韵味,但又不失现代的锐利感,读起来像是在品味一坛陈年的老酒,初尝可能略显沉重,但回味悠长,层次分明。作者似乎对文字有着一种近乎偏执的迷恋,大量的意象运用极其精妙,尤其是那些关于“边界”和“失落”的描摹,极具画面感。比如,书中有一段描写记忆模糊的段落,他用了“记忆如同被潮水冲刷的沙滩上的脚印,每一寸清晰都意味着更多的消逝”这样的句子,这种将抽象概念具象化的能力,令人叹为观止。而且,与其他一些过度堆砌辞藻的作品不同,这里的每一个词语都像是经过了严苛的筛选,服务于整体的情感表达,没有丝毫的赘余。对于那些追求文学质感的读者来说,这本书的文字本身就是一种享受,它强迫你慢下来,去咀嚼那些隐藏在字里行间的深意,而非囫囵吞枣般地追求情节的推进。
评分我对这本书中对社会结构和人际关系的处理深感震撼。它不仅仅是一个关于个体命运的故事,更像是一面棱镜,折射出特定环境下群体心理的微妙变化。作者非常巧妙地避开了简单的“好人”与“坏人”的二元对立,笔下的人物都带着鲜明的灰色地带。即便是那些表面上占据优势地位的角色,其内心也充满了脆弱和矛盾;而那些被边缘化的人物,也展现出了令人尊敬的坚韧与智慧。特别是关于“集体遗忘”的主题探讨,非常深刻。它揭示了当一个社群为了维持某种脆弱的平衡时,会不自觉地选择性地忽略掉某些创伤性的历史或个体,这种无声的共谋带来的后果,远比直接的冲突更加令人毛骨悚然。阅读过程中,我不断地反思自己所处的环境,这种由内而外的思辨性,是好作品的标志之一。
评分这本书的叙事节奏把握得简直是教科书级别的。开篇并没有急于抛出核心冲突,而是用大篇幅细腻地描绘了主角生活环境的日常,那种压抑与渴望并存的氛围,让人仿佛能闻到空气中弥漫的尘土味和远方森林的潮湿气息。作者对细节的打磨极其到位,无论是人物之间微妙的眼神交流,还是环境中光影的变幻,都充满了暗示和伏笔。我尤其欣赏作者如何通过看似不经意的日常片段,层层递进地构建起一个复杂的人物内心世界。主角的挣扎、他那些不为人知的秘密,都不是通过直白的叙述呈现的,而是通过一系列精巧的事件和对话的侧面烘托出来的,每一次翻页都带着一种“终于要揭晓了”的期待感。等到故事真正进入高潮部分时,那种积蓄已久的情感爆发力是惊人的,所有的铺垫都在那一刻找到了出口,读者完全沉浸其中,甚至能感受到角色那份撕心裂肺的痛苦与释然。这种张弛有度的叙事处理,让整部作品读起来酣畅淋漓,绝非那种平铺直叙的流水账式小说可比拟。
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